Tutors and lecturers

The Art of Being There: Immersion and Narrative in Nonfiction and Biography by EDWARD HUMES

Pulitzer Prize winner Edward Humes workshop.

The Art of Being There: Immersion and Narrative in Nonfiction and Biography

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A principal method for accomplishing this feat of turning life into narrative is immersion – the art of insinuating oneself inside a place, process, institution or person’s life, then using first-hand storytelling to reveal character, drama and import. Immersion nonfiction is about getting inside a story, in search of the insights, depth and detail that can imbue nonfiction prose with the same richness seen in great novels, and that can illustrate and expose important issues of culture, society, justice and government through highly dramatic and human narratives. Immersion writing has a storied history in America, dating back to such turn-of-the-century muckrakers as Nellie Bly and her classic “Ten Days in a Mad-House,” and continuing with such modern masters of the craft as Tracy Kidder and John McPhee. Whether your goal is short-form writing or long, 500 words or 50,000, the same approach and skills will serve a writer well.

 

This course will serve as a mini-boot camp for immersion research and narrative building. We’ll use the landscape and rich resources of our workshop setting as fodder for a series of “quick fire” research and writing exercises including:

 

– the sense of a place (treating setting as character)

 

– bringing characters to life

– interviewing 101

– using the historical to inform the present

In class we’ll analyze a series of short readings in a variety of narrative nonfiction genres, including crime, biography, environmental/nature and other specialized topics of interest to the group. We’ll explore in-depth the research methods and techniques for “getting inside,” for developing setting and character, and for building coherent narratives with strong beginnings, middles and ends while remaining true to your source material.

Authors teaching at Lismore Castle

 

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Meet our instructors who’ll teach workshops/lectures at Lismore Castle, December 9 – 16, 2013.

Robert Olen Butler

ROBERT OLEN BUTLER – Pulitzer Prize Winner and F. Scott Fitzgerald Award for Outstanding Achievement in American Literature

 

Robert Olen Butler has published twelve novels—The Alleys of EdenSun Dogs,Countrymen of BonesOn Distant GroundWabashThe DeuceThey WhisperThe Deep Green SeaMr. SpacemanFair WarningHell and (forthcoming this August) A Small Hotel—and six volumes of short fiction—Tabloid Dreams, Had a Good TimeSeverance, IntercourseWeegee Stories, and A Good Scent from a Strange Mountain, which won the 1993 Pulitzer Prize for Fiction. Butler has published a volume of his lectures on the creative process, From Where You Dream, edited with an introduction by Janet Burroway.

A recipient of both a Guggenheim Fellowship in fiction and a National Endowment for the Arts grant, he also won the Richard and Hinda Rosenthal Foundation Award from the American Academy of Arts and Letters and was a finalist for the PEN/Faulkner Award. He has twice won a National Magazine Award in Fiction and has received two Pushcart Prizes. His stories have appeared widely in such publications as The New YorkerEsquireHarper’sThe Atlantic MonthlyGQZoetropeThe Paris ReviewThe Hudson ReviewThe Virginia Quarterly ReviewPloughshares, and The Sewanee Review. They have also been chosen for inclusion in four annual editions of The Best American Short Stories, eight annual editions ofNew Stories from the South, several other major annual anthologies, and numerous college literature textbooks from such publishers as Simon & Schuster, Norton, Viking, Little Brown & Co., Houghton Mifflin, Oxford University Press, Prentice Hall, and Bedford/St.Martin and most recently in The New Granta Book of the American Short Story, edited by Richard Ford.

His works have been translated into nineteen languages, including Vietnamese, Thai, Korean, Polish, Japanese, Serbian, Farsi, Czech, Estonian, and Greek. He was also a charter recipient of the Tu Do Chinh Kien Award given by the Vietnam Veterans of America for “outstanding contributions to American culture by a Vietnam veteran.” Over the past fifteen years he has lectured in universities, appeared at conferences, and met with writers groups in 17 countries as a Literary Envoy for the U. S. State Department.

Since 1995 he has written feature-length screenplays for New Regency, Twentieth Century Fox, Warner Brothers, Paramount, Disney, Universal Pictures, Baldwin Entertainment Group (for Robert Redford), and two teleplays for HBO. Typical of Hollywood, none of these movies he was hired to write ever made it to the screen.

He is a Francis Eppes Distinguished Professor holding the Michael Shaara Chair in Creative Writing at Florida State University. Under the auspices of the FSU website, in the fall of 2001, he did something no other writer has ever done, before or since: he revealed his writing process in full, in real time, in a webcast that observed him in seventeen two-hour sessions write a literary short story from its first inspiration to its final polished form. He also gave a running commentary on his artistic choices and spent a half-hour in each episode answering the emailed questions of his live viewers. The whole series is a very popular download on iTunes under the title “Inside Creative Writing.”

He was awarded an Honorary Doctorate from the State University of New York system. 

 

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KAREN JOY FOWLER–PEN/FAULKNER finalist, World Fantasy Award winner

Karen Joy Fowler is the author of six novels and three short story collections. The Jane Austen Book Club spent thirteen weeks on the New York Times bestsellers list and was aNew York Times Notable Book. Fowler’s previous novel, Sister Noon, was a finalist for the 2001 PEN/Faulkner Award for fiction. Her debut novel, Sarah Canary, was a New York Times Notable Book, as was her second novel, The Sweetheart Season. In addition, Sarah Canary won the Commonwealth medal for best first novel by a Californian, and was listed for the Irish Times International Fiction Prize as well as the Bay Area Book Reviewers Prize. Fowler’s short story collection Black Glass won the World Fantasy Award in 1999, and her collection What I Didn’t See won the World Fantasy Award in 2011. Fowler and her husband, who have two grown children and five grandchildren, live in Santa Cruz, California.

She is the co-founder of the James Tiptree, Jr. Award and the current president of the Clarion Foundation (also known as Clarion San Diego).

“No contemporary writer creates characters more appealing, or examines them with greater acuity and forgiveness, than she does.”
—Michael Chabon, Pulitzer Prize-winning author

“What strikes one first is the voice: robust, sly, witty, elegant, unexpected and never boring. Here is a novelist who absolutely comprehends the pleasures of imagination and transformation.”
—Margot Livesey, The New York Times Book Review

“An astonishing narrative voice, at once lyric and ironic, satiric and nostalgic…Fowler can tell stories that engage and enchant.”
—San Francisco Chronicle

 Sarah Gristwood

SARAH GRISTWOOD –Best-Selling Tudor Biographer

Sarah Gristwood is a best-selling Tudor biographer, former film journalist, and commentator on royal affairs.

 

Sarah Gristwood began work as a journalist, writing at first about the theatre as well as general features on everything from gun control to Giorgio Armani. But increasingly she found herself specialising in film interviews – Johnny Depp and Robert De Niro; Martin Scorsese and Paul McCartney. She has appeared in most of the UK’s leading newspapers – The Times, The Guardian, The Telegraph (Daily and Sunday) – and magazines from Cosmopolitan to Country Living and Sight and Sound to The New Statesman.

Turning to history she wrote two bestselling Tudor biographies, Arbella: England’s Lost Queen and Elizabeth and Leicester; and the eighteenth century story Perdita: Royal Mistress, Writer, Romantic which was selected as Radio 4 Book of the Week. Presenting and contributing to several radio and tv documentaries, she also published a book on iconic dresses, Fabulous Frocks (with Jane Eastoe); and a 50th anniversary companion to the film Breakfast at Tiffany’s, as well as collaborating with Tracy Borman, Alison Weir and Kate Williams on The Ring and the Crown (Hutchinson), a book on the history of royal weddings. 2011 also saw the publication of her first historical novel, The Girl in the Mirror (HarperCollins). In September 2012 she brought out a new non-fiction book – Blood Sisters: the hidden lives of the women behind the Wars of the Roses (HarperPress).

A regular media commentator on royal and historical affairs, Sarah was one of the team providing Radio 4′s live coverage of the royal wedding; and also spoke on the Queen’s Jubilee for Sky News and for Woman’s Hour.

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EDWARD HUMES – Pulitzer Prize Winner

A Pulitzer Prize-winning journalist and author, Edward Humes’ latest book is Garbology: Our Dirty Love Affair With Trash (Avery Books, April 2012). His other books include Force of Nature: The Unlikely Story of Wal-Mart’s Green Revolution, the PEN Award-winning No Matter How Loud I Shout: A Year In the Life of Juvenile Court, the bestseller Mississippi Mud, and Monkey Girl: Evolution, Education, Religion and the Battle for America’s Soul.


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CLAIRE KEEGAN–Rooney Prize for Irish Fiction

Since her first book was published in 1999, Claire Keegan has accumulated nearly a dozen prizes, and accolades from writers such as Richard Ford and Hilary Mantel. But the form she works in – the short story – has always been something of a specialist taste. Keegan, who has published two collections of stories (Antarctica and, in 2007, Walk the Blue Fields) and now one long story, Foster which was published in the New Yorker.

Claire Keegan was born in 1968 and grew up on a farm in Wicklow. Her first collection of short stories, Antarctica, was completed in 1998. It announced her as an exceptionally gifted and versatile writer of contemporary fiction and was awarded the Rooney Prize for Literature. Her second short story collection,Walk the Blue Fields, was published to enormous critical acclaim in 2007 and won her the 2008 Edge Hill Prize for Short Stories. Claire Keegan lives in County Wexford, Ireland.

Keegan has won the William Trevor Prize, the Rooney Prize for Irish Literature, the Olive Cook Award and the Davy Byrnes Irish Writing Award 2009. Other awards include The Hugh Leonard Bursary, The Macaulay Fellowship,The Martin Healy Prize, The Kilkenny Prize and The Tom Gallon Award. Twice was Keegan the recipient of the Francis MacManus Award. She was also a Wingate Scholar. She was a visiting professor at Villanova University in 2008. She is a member of Aosdána.

JACQUELYN MITCHARD – Best Selling Author and Editor-in-Chief of Merit Press

Mitchard’s book, ‘The Deep End of the Ocean’ was the inaugural selection of the Oprah Winfrey Book Club and named one of the most influential books of the past 25 years by USA today.

Mitchard is the author of 24 novels and books of non-fiction for adults, young adults, and children, including ‘The Deep End of the Ocean,’ the inaugural selection of the Oprah Winfrey Book Club, named by USA Today as one of the most influential books of the past 25 years. A longtime journalist and teacher, Mitchard is a faculty fellow at Southern New Hampshire University, and a contributing writer for Parade Magazine and More magazine, among others.

 

Merit Press Books, an imprint solely for young adult titles. The imprint joins the company’s current fiction lines – including Tyrus BooksPrologue Books, and Crimson Romance. F+W plans the release of five original Young Adult titles through the remainder of the 2012, as well as twelve titles planned for 2013. Other imprints currently are under development and will be announced in coming months. F+W Media is a community-focused, content creator and marketer of products and services offering a diversified portfolio of books, ebooks, magazines, events, competitions, e-commerce, education, video, and more. The Company’s fiction strategy aligns with the overall F+W mission to meet the needs of its communities in all forms, creating an exceptional consumer experience.

“The mission of the line is to provide an abundance of intensely readable, highly suspenseful and unforgettable fiction for readers aged thirteen and up, with a particular emphasis on strong, savvy, female heroes rising to conquer sometimes stunning challenges thrown at them by a very real contemporary world,” said Karen Cooper, Publisher. “We knew we needed expert guidance for the creation and growth of the line. Jacquelyn is the ideal partner for this new initiative, and we are thrilled to work with her.”

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MICHELE ROBERTS–Man Booker Finalist

Michèle Roberts is the author of twelve highly acclaimed novels, including The Looking Glass and Daughters of the House which won the WHSmith Literary Award and was shortlisted for the Booker Prize. Her memoir Paper Houseswas BBC Radio 4′s Book of the Week in June 2007. She has also published poetry and short stories, most recently collected in Mud- stories of sex and love (2010). Half-English and half-French, Michèle Roberts lives in London and in the Mayenne, France. She is Emeritus Professor of Creative Writing at the University of East Anglia.
 Michèle Roberts is one of those writers descended perhaps as much from Monet and Debussy as Virginia Woolf or Keats… To read a book by her is to savour colour, sound, taste, texture and touch as never before. The Times

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ETHEL ROHAN–Short Story Award winner

Ethel Rohan was born and raised in Dublin, Ireland, and now lives in San Francisco. She is the award-winning author of two story collections,  Goodnight Nobody (2013) and Cut Through the Bone (2010), the latter longlisted for The Story Prize. She is also the author of a chapbook, Hard to Say, PANK, 2011.

Her work has or will appear in The New York TimesWorld Literature TodayTin House Online, The Irish TimesThe Stinging FlySouthword Journal, and The Rumpus, among many others. She received her MFA from Mills College, CA, and is a reviewer for New York Journal of Books and member of the San Francisco Writers’ Grottoand PEN America. Visit her at ethelrohan.com.

 

 

 

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ALEX  SHOUMATOFF–Contributing Editor Vanity Fair

Alex Shoumatoff first broke into the pages of Vanity Fair in 1986, with a piece on the murder of Dian Fossey, an American zoologist who was fighting for the survival of the mountain gorillas in Rwanda. Since then he has written dozens of pieces for the magazine, many of them from the world’s most remote and inaccessible places, including the Amazon and Tibet. The author of 10 books, he founded Dispatches from the Vanishing World in 2001. The site, which is read each month by people from more than 90 countries, is dedicated to raising consciousness about the world’s fast-disappearing natural and cultural diversity, and to promoting the societal transformation that needs to happen if the planet’s life-support systems are to remain viable much longer. A guitar player and songwriter since the 1960s, Shoumatoff is finally releasing his first CD, Suitcase on the Loose, a bag of tunes written over the last 38 years.

JANE SMILEY – Pulitzer Prize Winner and F. Scott Fitzgerald Award for Outstanding Achievement in American Literature

Born in Los Angeles, California, Smiley grew up in Webster Groves, Missouri, a suburb of St. Louis, and graduated from John Burroughs School. She obtained an A.B. in literature atVassar College (1971), then earned an MA at the University of Iowa (1975), M.F.A. (1976) andPh.D. from the University of Iowa. [1]While working towards her doctorate, she also spent a year studying in Iceland as a Fulbright Scholar. From 1981 to 1996 she was a professor of English at Iowa State University,[1] teaching undergraduate and graduate creative writing workshops, and continuing to teach there even after relocating to California.

Smiley published her first novel, Barn Blind, in 1980, and won a 1985 O. Henry Award for her short story “Lily”, which was published in The Atlantic Monthly. Her best-selling A Thousand Acres, a story based on William Shakespeare‘s King Lear, received the Pulitzer Prize for Fiction in 1992. It was adapted into a film of the same title in 1997. In 1995 she wrote her sole television script, produced for an episode of Homicide: Life on the Street. Her novella The Age of Grief was made into the 2002 film The Secret Lives of Dentists. Her essay “Feminism Meets the Free Market” was included in the 2006 anthology Mommy Wars  by Washington Post writer Leslie Morgan Steiner.

Thirteen Ways of Looking at the Novel (2005), is a non-fiction meditation on the history and the nature of the novel, somewhat in the tradition of E. M. Forster‘s seminal Aspects of the Novel, that roams from eleventh century Japan’s Murasaki Shikibu‘s The Tale of Genji to 21st-century American women’s literature.

In 2001, Smiley was elected a member of The American Academy of Arts and Letters. She participates in the annual Los Angeles Times Festival of Books in association with UCLA. Smiley chaired the judges’ panel for the prestigious Man Booker International Prize in 2009.

 

PATRICIA SMITH - National Book Award finalist in Poetry, Winner of 2 Pushcart Awards

Called “a testament to the power of words to change lives,” Patricia Smith is a renaissance artist of unmistakable signature, recognized as a force in the fields of poetry, playwriting, fiction, performance and creative collaboration.

She is the author of six critically-acknowledged volumes of poetry, includingShoulda Been Jimi SavannahBlood Dazzler, a National Book Award finalist, andTeahouse of the Almighty, a National Poetry Series winner (all from Coffee House Press), Close to Death and Big Towns, Big Talk (both from Zoland Books),Life According to Motown (Tia Chucha), just released in a special 20th anniversary edition. She is editor of the crime fiction anthology Staten Island Noir, coming in November 2012 from Akashic Books.

Her other books include Africans in America (Harcourt Brace), a companion volume to the groundbreaking four-part PBS history series, and the children’s book, Janna and the Kings, a Lee & Low Books New Voices Award winner.

Patricia’s work has appeared in Poetry (including the journal’s 100th anniversary edition), The Paris ReviewGrantaTin HouseTriQuarterlypoemmemoirstory,EcotoneAble Muse and many other journals, and in dozens of groundbreaking anthologies–including Best American PoetryBest American EssaysVillanelles,Killer Verse–Poems of Mayhem and MurderAmerican Tensions–Literary Identity and the Search for Justice, and 100 Best African American Poems. She is the recipient of two Pushcart Prizes, for her poems “The Way Pilots Walk” and “Laugh Your Troubles Away!” In the summer of 2012, she was awarded a fellowship to the prestigious McDowell Colony, where she worked in a studio once occupied by James Baldwin.

Recognized as one of the world’s most formidable performers, Patricia has read her work at venues round the world, including the Poets Stage in Stockholm, Urban Voices in South Africa, Rotterdam’s Poetry International Festival, the Aran Islands International Poetry and Prose Festival and on tour in Germany, Austria and Holland. In the U.S., she’s performed at the National Book Festival, Carnegie Hall, the Dodge Poetry Festival, Bumbershoot, the Folger Shakespeare Library and St. Mark’s Poetry Project, sharing the stage with noted writers such as Adrienne Rich, Sharon Olds, Rita Dove, Joyce Carol Oates, Allen Ginsberg, Walter Mosley, Gwendolyn Brooks, Billy Collins, Galway Kinnell and “Lord of the Rings” star Viggo Morgensen. She has collaborated with Boston stalwart Philip Pemberton (currently lead vocalist of Roomful of Blues) and the blues band Bop Thunderous, and as an occasional vocalist with the stellar improvisational jazz groups Paradigm Shift and Bill Cole’s Untempered Ensemble. Patricia is a four-time national individual champion of the notorious and wildly popular Poetry Slam, the most successful competitor in slam history. She was featured in the nationally-released film “Slamnation,” and appeared on the award-winning HBO series “Def Poetry Jam.”

Recordings of Patricia’s work can be found on the CD “Always in the Head” as well as in the compilations “Grand Slam,” “A Snake in the Heart” “By Someone’s Good Graces” and “Lip.” A short film of her performing the poem “Undertaker,” produced by Tied to the Tracks Films, won awards at the Sundance and San Francisco Film Festivals and earned a prestigious Cable Ace Award as part of the Lifetime Network’s first annual Women’s Film Festival. As a budding voiceover artist, she was the radio voice of the Oil of Olay Total Effects product line.

The book Blood Dazzler was the basis for a dance/theater production which sold out a week-long series of performances at New York’s Harlem Stage. The Play Company in New York City produced “Professional Suicide,” a one-woman show that got its start while Smith was writer-in-residence at the Eugene O’Neill Theater Center, and a selection of Patricia’s poetry was also produced as a one-woman play by Nobel Prize winner Derek Walcott and performed at both Boston University Playwrights Theater and the historic Trinidad Theater Workshop. Another play, based on Life According to Motown, was staged by Company One Theater in Hartford, Ct., and reviewed favorably in The New York Times.

An accomplished and sought-after instructor of poetry, performance and creative writing, Smith appears often at creative conferences and residencies, customizes workshops for all age groups and is available for intensive individual instruction. She is a Cave Canem faculty member, a professor of English at CUNY/College of Staten Island and a faculty member of the Sierra Nevada MFA program.

 

 

LILY TUCK – National Book Award Winner

Lily Tuck (born Oct. 10, 1938) is an American novelist and short story writer whose novelThe News from Paraguay won the 2004 National Book Award for Fiction. Her novel Siam was nominated for the 2000 PEN/Faulkner Award for Fiction. She has published four other novels, a collection of short stories, and a biography of Italian novelist Elsa Morante .

An American citizen born in Paris, Tuck now divides her time between New York City andMaine; she has also lived in Thailand and (during her childhood) Uruguay and Peru. Tuck has stated that “living in other countries has given me a different perspective as a writer. It has heightened my sense of dislocation and rootlessness. … I think this feeling is reflected in my characters, most of them women whose lives are changed by either a physical displacement or a loss of some kind”.

 

Daily Schedule

December 9th:

12:00 – 3:00 workshop

5:00 – 8:00  Lectures

8:00          Dinner in castle

December 10th – 15th

7:30 – 10:30  Workshops

10:45 – 1:45  Workshops

2:00 – 5:00   Workshops

5:00 – 8:00   Lectures/Readings and festivities

8:00           Castle Dinner

December 16th

7:30 – 10:30  Workshops

 

Workshops dates and times are list by groups.

Group 1, 2, 3, 4….3 hour/5 days

Group 5…………… 8 hours/2 days with lunch break

 

Group 1

Dates/time: 12/09 @ 11:00-2:00, 12/10-12 @7:30-10:30, 12/14 @2:00-5:00

Robert Olen Butler–fiction

Patricia Smith–poetry

Group 2

Dates/time: 12/09 @2:00-5:00, 12/10-12 @10:30-1:30, 12/13 @2:00-5:00

Michele Roberts–fiction, historical fiction

Alex Shoumatoff–non fiction, memoir, biography

Group 3

Dates/time: 12/12 @2:00-5:00, 12/13-16 @7:30-10:30

Jane Smiley–fiction

Sarah Gristwood–Historical Fiction

Group 4

Dates/time: 12/10-11 @2:00-5:00, 12/13-15 @10:45-1:45

Lily Tuck–fiction

Edward Humes–non fiction, biography, memoir

Group 5

Dates/time: 12/14-15 @ 8:00 – 5:00 with a one hour lunch break

Jacquelyn Mitchard–fiction, memoir and YA

 

Abroad Writers’ Conference, BORNEO

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KUCHING, BORNEO/MALAYSIA

JUNE  28 – JULY 8,  2013

In July, we’ll be taking a group of participants and authors to the city of cats, Kuching in Borneo. This will be an adventure/travel writing workshop.  Authors joining us are: National Book Award finalist, Dan Chaon; Vanity Fair’s contributing editor, Alex Shoumatoff and anthropologist Dr. Gerrell Drawhorn.

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Borneo, an island of luscious diversity, with the second oldest rainforest in the world and rivers overflowing with life. For writers who have dreamed of writing about wildlife and nature, we’ll be visiting two rehabilitation centers Semenggoh and Matang,  where you’ll see orangutans roaming free in the forest. Technically these orangutans aren’t wild because they’re use to humans, thus they can be observed and photographed more closely while they feed. Birute refers to most orangutans in rehabilitation centers as “bicultural” because they are actually released rehabilitates.

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We’ll be visiting the Bako National Park where you’ll see proboscis monkeys, silvered leaf monkeys and mangroves, Rafflesia flowers, waterfalls and longhouses. This is a nature lovers paradise.

In Borneo, you’ll be writing daily.  Early morning workshops from 7:30 – 10:30 with Alex and Dan. Later, Alex and Gerrell will guide you through the day giving you assignments to write about.  You’ll learn about the culture, flora and various animal species that live in Borneo. Gerrell will also be giving you a reading list that will include authors who wrote about their experiences in Borneo: Rajah Brooks–the first white Rajah, Joseph Conrad, Somerset Maugham, Multituli, Linklater and others.

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Our first three days in Borneo we will be staying in Kushing. In Kushing, we will begin our days with early morning writing workshops. In the afternoon, you’re free to visit the town or attend the RAINFOREST WORLD MUSIC FESTIVAL. The RWMF has been voted as one of the best International Festivals in world music.

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On our fourth day, we’ll be leaving Kushing for the jungle. We’ll be staying at Batang Ai Longhouse.

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Dan Chaon, Gerrell Drawhorn and Alex Shoumatoff will be teaching workshops.

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DAN CHAON is the acclaimed author of Among the Missing, which was a finalist for the National Book Award, and You Remind Me of Me, which was named one of the best books of the year by The Washington PostChicago Tribune, San Francisco Chronicle, The Christian Science Monitor, and Entertainment Weekly, among other publications. Chaon’s fiction has appeared in many journals and anthologies, including The Best American Short Stories, Pushcart Prize, and The O. Henry Prize Stories. He has been a finalist for the National Magazine Award in Fiction, and he was the recipient of the 2006 Academy Award in Literature from the American Academy of Arts and Letters. Chaon lives in Cleveland, Ohio, and teaches at Oberlin College, where he is the Pauline M. Delaney Professor of Creative Writing.

 

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ALEX SHOUMATOFF  is a contributing editor with Vanity Fair.

Alex was born in Mt. Kisco, New York. After graduating from Harvard College in l968, he worked on the Washington Post, as a singer-songwriter, and as the resident naturalist at a wildlife sanctuary in Westchester County. His first book, Florida Ramble, was published in l974 (Harper and Row, Vintage paperback). In the fall of l976 he spent nine months in the Amazon researching a Sierra Club book, The Rivers Amazon (Sierra Club l978, hard and soft), which has been compared to the classics of Roosevelt and Bates. His next book, Westchester : Portrait of a County (Coward, McCann, and Geoghegan, 1979, Vintage paperback), was excerpted in the New Yorker, for whom Shoumatoff became a staff writer in l979. There, under Robert Bingham, the editor of John McPhee and Peter Mathiessen, and later under John Bennet, he wrote long fact pieces that were then developed as books: The Capital of Hope (Coward McCann, and Geoghegan, 1980, Vintage paperback, about the building of Brasilia), Russian Blood (Coward, McCann, and Geoghegan, l982, Vintage paperback, a chronicle of his own family from the dawn of Russian history through the October Revolution and emigration to the United States ), The Mountain of Names (Simon and Schuster, l984, Touchstone, Vintage, and Kodansha paperbacks, a profile of the Mormons’ Genealogical Society of Utah that became a history of the human family), In Southern Light (Simon and Schuster, l986, Touchstone and Vintage paperbacks, about a two-month journey in Zaire and a trip up the remote Amazonian tributary where the Amazon women are supposed to have lived). He was awarded a Guggenheim Fellowship in l985.

In l986 Shoumatoff wrote a profile of Dian Fossey for the newly resurrected Vanity Fair that was made into the movie, Gorillas in the Mist and was collected in African Madness (Knopf l988, Vintage paperback, also containing pieces on Emperor Bokassa, the natural history of Madagascar, and AIDS in Africa). He covered ousted dictators for Vanity Fair (Stroessner, Mengistu, Mobutu) and wrote a seminal piece on Tibet and the Dalai Lama. His l989 piece about Chico Mendes, the murdered leader of the Amazon’s rubber tappers, was optioned by Robert Redford and expanded into The World is Burning (Little Brown, l990, Avon paperback, published in ten languages). In l995 he became a contributing editor for Vanity Fair. Recent pieces include Uma Thurman, the Panchen Lama, the Weld-Kerry Senate race, the Great Camps of the Adirondacks, a profile of Bedford, New York, the race to find the winter grounds of the monarch butterfly. His latest book, Legends of the American Desert, (Knopf, l997, a 500-page portrait of the American Southwest), was glowingly front-paged by the New York Times Book Review and was both Time Magazine’s and the New York Post’s second-best non-fiction book of the year.

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DR. GERRELL DRAWHORN is a biological anthropologist at Sacramento State University.

Jerry was born in Albany, New York but his family relocated to California when he was a child. His father was an electronics engineer and when NASA downsized in the Sixties he took a position training engineers at the VALCO Aluminum plant in Tema, Ghana. Jerry spent most of his teens in Africa and his family travelled through most of the newly independent nations in East, West and North Africa. His interest in Anthropology developed organically from his experiences in multicultural schooling, urban African life, and staying in rual villages when on safari.  While he was still a teenager, he was privileged to meet the famously Leakey family in Nairobi and Olduvai Gorge. There, Louis and Mary Leakey were involved in their famous discoveries. At Olduvai Gorge, Jerry helped UCLA Professor Merrick Posznasky do archaeological field surveys on the 18th century “slavery period” Ghanaian villages. In Africa, Jerry developed a love of traditional and modern African music.

In 1976, Jerry received his degree in Anthropology at UC Berkeley.

After graduation, he worked at the American Museum of Natural History where he researched fossil gelada baboons and co-authored a paper on the elusive origins of Primates and related Orders –Tree Shrews, Flying Lemurs and Bats.

Jerry received his Ph.D. in Anthropology at UC Davis. At Davis, he co-authored with Henry McHenry, a seminal paper on the origin and relationships of fossil humans using the controversial technique of cladistic analysis. This method is currently used for analysis of every type of system from DNA to complex anatomy, it’s broadly applied to all biological groups.

Jerry’s Ph.D. dissertation on the relationships of fossil orangutans has resulted in his exploration of fossil Pongo sites in Sumatra and visit to most of the field sites where living orangutans are still being studied.

Jerry has published an analysis of the forensic evidence suggesting the infamous Piltdown Man hoax was likely an “inside job” by a curator at the Natural History Museum in London, using a sub-fossil orangutan jaw from Sarawak and a paper on how the co-discoverers of the modern Theory of Evolution–Charles Darwin and Alfred Russel Wallace–cooperated to raise funds for the first ever “international” expedition to seek the “missing link”–in Sarawak.

Jerry’s continued his research of Alfred Russel Wallace, as well as the development of a cultural evolutionary system developed by James Richardson Logan, a Singaporean Victorian-era polymath.

Jerry has been activity involved in the Sacramento “World Music” community radio station and he’s the current World Music Buyer for Tower Records.

For a decade, Jerry has returned to Borneo to attend the Rainforest World Music Festival in Kuching.

 

 

Price:

Single room: $3,950 (*4 Batang Ai Longhouse, *4 Hotel in Kuching–room w/breakfast & dinner, workshops, entrance fees to sites and ground transportation).

We’re going to Bali, June 27 – July 4, 2013

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In late June, we’ll be going to Bali. We’ll be staying at, La Villa Mathis a four-star villa in the village of Umalas, a suburb of Seminyak. We’ll be holding our conference in a quiet location that’s surrounded by rice fields, minutes away from the beach.

Dan Chaon and Alex Shoumatoff will be teaching writing workshops.

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DAN CHAON is the acclaimed author of Among the Missing, which was a finalist for the National Book Award, and You Remind Me of Me, which was named one of the best books of the year by The Washington PostChicago Tribune, San Francisco Chronicle, The Christian Science Monitor, and Entertainment Weekly, among other publications. Chaon’s fiction has appeared in many journals and anthologies, including The Best American Short Stories, Pushcart Prize, and The O. Henry Prize Stories. He has been a finalist for the National Magazine Award in Fiction, and he was the recipient of the 2006 Academy Award in Literature from the American Academy of Arts and Letters. Chaon lives in Cleveland, Ohio, and teaches at Oberlin College, where he is the Pauline M. Delaney Professor of Creative Writing.


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ALEX SHOUMATOFF  is a contributing editor with Vanity Fair.

Alex was born in Mt. Kisco, New York. After graduating from Harvard College in l968, he worked on the Washington Post, as a singer-songwriter, and as the resident naturalist at a wildlife sanctuary in Westchester County. His first book, Florida Ramble, was published in l974 (Harper and Row, Vintage paperback). In the fall of l976 he spent nine months in the Amazon researching a Sierra Club book, The Rivers Amazon (Sierra Club l978, hard and soft), which has been compared to the classics of Roosevelt and Bates. His next book, Westchester : Portrait of a County (Coward, McCann, and Geoghegan, 1979, Vintage paperback), was excerpted in the New Yorker, for whom Shoumatoff became a staff writer in l979. There, under Robert Bingham, the editor of John McPhee and Peter Mathiessen, and later under John Bennet, he wrote long fact pieces that were then developed as books: The Capital of Hope (Coward McCann, and Geoghegan, 1980, Vintage paperback, about the building of Brasilia), Russian Blood (Coward, McCann, and Geoghegan, l982, Vintage paperback, a chronicle of his own family from the dawn of Russian history through the October Revolution and emigration to the United States ), The Mountain of Names (Simon and Schuster, l984, Touchstone, Vintage, and Kodansha paperbacks, a profile of the Mormons’ Genealogical Society of Utah that became a history of the human family), In Southern Light (Simon and Schuster, l986, Touchstone and Vintage paperbacks, about a two-month journey in Zaire and a trip up the remote Amazonian tributary where the Amazon women are supposed to have lived). He was awarded a Guggenheim Fellowship in l985.

In l986 Shoumatoff wrote a profile of Dian Fossey for the newly resurrected Vanity Fair that was made into the movie, Gorillas in the Mist and was collected in African Madness (Knopf l988, Vintage paperback, also containing pieces on Emperor Bokassa, the natural history of Madagascar, and AIDS in Africa). He covered ousted dictators for Vanity Fair (Stroessner, Mengistu, Mobutu) and wrote a seminal piece on Tibet and the Dalai Lama. His l989 piece about Chico Mendes, the murdered leader of the Amazon’s rubber tappers, was optioned by Robert Redford and expanded into The World is Burning (Little Brown, l990, Avon paperback, published in ten languages). In l995 he became a contributing editor for Vanity Fair. Recent pieces include Uma Thurman, the Panchen Lama, the Weld-Kerry Senate race, the Great Camps of the Adirondacks, a profile of Bedford, New York, the race to find the winter grounds of the monarch butterfly. His latest book, Legends of the American Desert, (Knopf, l997, a 500-page portrait of the American Southwest), was glowingly front-paged by the New York Times Book Review and was both Time Magazine’s and the New York Post’s second-best non-fiction book of the year.

 

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Price Includes:

2 writing workshops, one from Dan Chaon and Alex Shoumatoff 5 days/3 hours. Two, 15 minute personal one on one with each instructor. Evening lectures, music and dance performances.

$3,900 for a single room w/breakfast and dinner. Air Fare not include.

Alison Weir will teach a writing workshop on Historical Fiction

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In Late September, BEST SELLING AUTHOR, BRITISH HISTORIAN ALISON WEIR will teach a five day Historical Fiction Workshop for Abroad Writers’ Conference in SCOTLAND.

Memories of Hever Castle by Mary Pauer

Hever Castle, Kent, England – Anne Boleyn’s Childhood Home        November 21-28 2012  Abroad Writers Program

My bedroom, Daffodil, is on the cover of the brochure, the double bed with a canopy – and featured in the Hever Castle history book available to all guests. Daffodil a sumptuous and elegant room, with a door latch and a real key; each detail designed to elicit the feeling of royal opulence.

I’ve been home for almost two weeks, and I can shut my eyes and feel the firm warmth of their down comforter, the starched sheets and the exuberant suds of their body wash. I know I didn’t stay in the Castle proper: I know I stayed in a wing designed for guests, a rambling warren-like extravaganza of 1905 Astor-built plush and posh: a mixture  of styles: Tudor, Edwardian and Victorian, but a the orchids on the conference table were real, from the Hever gardens.

The wait staff, with spotless white gloves, served us Thanksgiving dinner in the Great Hall. Other meals were as sumptuous, served in a fireplace lit room with silver candelabras entwined with season’s greens. Quail eggs, poached eggs; they served eggs to me over-easy, with a smile at my Americanism.

The writer’s workshop was as rich and delightful as the surroundings. Through the leaded glass we heard geese honking, the moat pool directly outside, like glass mirror reflected our white hot writing; our scribbled words and worked dialogue. We pushed, shoved and moved those sentences. We earned our character development, and the trips to the silver and crystal ladies cloak room.

I am back stateside for two weeks have already read three of Alison Weir’s books on the history of England from that period. She lectured twice, as smooth as if she were gossiping about the affair at the office cooler, a piece of gossip alive, in the political arena three hundred years later.

In the castle I sense the treachery, the sensuality and shrewish nature of Anne Boleyn. When I am reading Ms. Weir’s pages I cast my memory to the small upstairs room that had been Anne’s during her youth, a room she most likely shared with her sister, not the only thing those two women shared.

So, while I was treated like a princess, thankfully my days did not end in the Tower waiting for a swordsman imported from France.

But my writing workshops with Robert Olen Butler, Paul Harding, and Alex Shoumatoff, did end, and reluctantly I turned in my key and folded notebook my pages.

If I work really hard, I have sufficient material to keep me going for at least a year. If I remember Robert’s advice, to forget everything I learned, I still have sufficient molten lava for a good short story, and Paul suggests we press our characters so they earn the right on the page.  Alex hopes we praise the world, sing songs of diversity, and he gave me a nickname, Moxie Mary.

I can be a writer with social consciousness. I can find my true story. I can return to Hever Castle in the spring, perhaps, when the flowers are budding and the romance is in bloom. I can be a princess and I will ask for the Daffodil room again.

Mary Pauer –marymargaretpauer@gmail.com

Eric Ives on Anne Boleyn: ‘More than sex and murder’

“There was more to the story of Anne Boleyn than sex and murder.”

This is the message that acclaimed historian Eric Ives hopes to convey to an audience of Tudor fans when he takes centre stage at Hever Castle this November.

The man who first drew attention in the 1970s and 1980s to the importance of Henry VIII’s second wife, still believes Anne was so significant to Henry VIII’s story that the debate about her importance “will run and run”.

When Eric first set out his arguments more than 30 years ago, he knew there had been no academic study of her since 1884.

He first set out the premise that Anne was much more important than previously thought.

And his work called into question the way political power operated.

In the face of continuing discussion about Anne’s marriage, alleged adultery, and fertility, Eric believes his view of her is unlikely to alter.

“I don’t expect to change my picture of her unless and until more documentation is discovered,” he says.

“The only new item of importance is a reconstruction of the 1534 portrait medal – the single contemporary likeness of Anne to have survived.”

Sisters’ tension

The lecture series to be staged by Abroad Writers Conference at Hever this November will include a talk by Alison Weir on Anne’s sister Mary, who was Henry VIII’s mistress.

Eric’s view of the relationship between the two sisters is that there was probably tension between them.

He has previously written: “Mary should have been under no illusions.

“As early as November 1530, the king had given Anne £20 to redeem a jewel Mary possessed, presumably one he had given her.

“Anne, the wife, wanted no-one to remember Mary, the mistress.”

Speaking to Abroad ahead of the Hever conference, Eric said: “Mary’s affair with Henry may have been over before Anne returned from France at the end of 1521.

“But I think that the repossession of the jewel and Anne’s response to Mary’s remarriage do reflect tension between the sisters and suggest that when Anne became Henry’s intended wife and queen, she was concerned to put distance between herself and Mary, the ex-mistress.”

Childhood home

Hever Castle is famous for being the childhood home of Anne Boleyn and Tudor fans flock to the Kent attraction to walk in the famous woman’s footsteps.

One of the stories told locally is that Henry VIII used to visit Anne at Hever, and Kent was where much of their courtship took place.

Unfortunately for Tudor fans, Eric has investigated these theories and says: “I can find no evidence at all to substantiate any of these stories.”

But his interest is not so much in Anne and Henry’s romance, as the influence on Anne of the French Reformist Movement.

The historian has written extensively about Anne’s taste for French religious literature.

He has looked at her enduring interest in the writings of Jacques Lefevre (1455-1536), a French humanist, theologian and translator whose scholarship stimulated scriptural studies during the Protestant Reformation.

In the early 1500s, Lefevre published his Psalterium quintuplex (five Latin versions of the Psalms), a work which has been interpreted as embodying doctrines of the Reformation and is believed to have had some influence on Martin Luther.

Lefevre later focused on using the vernacular for religious works and translated the whole Bible into French.

So if there was one question Eric could ask Anne Boleyn now, it would be this.

“You cherished the books of Jacques Lefevre. Did you ever meet him?”

And further to that, if there was one question he could have answered about Anne, it would be how her story with Henry began.

“Why did she take the crucial step of sleeping with Henry in November 1532?” Eric asks. “Was it her idea, Henry’s idea or a joint decision?”

History fans will be able to hear Eric’s latest insights into England’s famous queen on 26 November.

A percentage of funds raised from Eric’s lecture will go to the YMCA.

For further details, see our booking information page.

 

 

 

 

 

 

 

 

 

 

 

 

Past times: Sally Potter at Abroad Writers’ Conference in France

Sally shares memories of Abroad in France

As the train slowly moves south through France from its mountainous centre to its arid plains the colours of the vegetation subtly shift. We pass gardens with neat rows of tomatoes and haricots verts, tables with oilcloths and plastic chairs invitingly waiting under shady trees. Lavender bushes which were still in tight pale green bud in the mountains are in full purple bloom as we approach Nimes. Roses are full, open. The sky is deep blue.

I am met at the station by Nancy Gerbault who has organized a literary event which I am to attend for the weekend en route back to London, lured out of my writing retreat by the promise of spending time in the company of Michael Ondaatje, Andrew Motion and others, with the fantasy luxury of a bed in a chateau with breakfast on a pale stone terrace, with my only duties a screening or two and a session answering questions about screenwriting.

What I did not know about was the garden.

The Alchemists Garden

Next to the hotel (not a chateau, in fact, but a Ferme or farm) is a garden built relatively recently, based on alchemical principles. The next morning, in a soft warm breeze, the sun already slanting, hot, onto the immaculate lawns, I enter the garden through its labyrinth and become absorbed and entranced by what I find there. Lavender beds surrounding olive trees, enclosed by willow trees planted in criss-cross lattice form; herbs, vines, flowers; each bush, plant or tree with an adjacent discreet notice describing its properties, many of them traditionally seen as protective against the evil eye, bad influence, or sickness.

After this gentle tour through the powers of plants, comes the alchemical voyage through three inner gardens. First the alchemy garden, the ground covered in slate, everything laid out in straight lines, the borders metallic, the presence of still water, the mood somber. The alchemy garden has paths covered with white gravel, inset with circles of pale stone, a central stone pond surrounded by beds of white roses. A circular entrance through a hedge leads to the alchemy garden with rust-coloured gravel paths, beds of red roses and orange flowers, a central fountain in a six pointed star.

You can leave the black garden by using your mind, says a notice, but to transit the white garden, governed by the moon, you must open your heart. The journey through the red garden, governed by the sun, leads you to a state of transformation. You leave it ready to begin your life again.

I walk through the gardens three times during the weekend. In between I listen to readings (Michael on the craft of writing, Alan Lightman reading from his book Einstein’s Dreams and talking about his dual life as a writer and astrophysicist, Andrew Motion reading his poems, movingly) gaze at the golden light falling on bleached grasses, relax in the heat, talk, eat.

The screening of YES, in the Papal Palace in Avignon, leads to a long Q and A in which, in response to a question and to my observations of the preoccupations of some of the paying participants, I address the question of doubt, self-doubt in particular, as an important part of the writers’ process. My Self-esteem being an overvalued attribute in my view (you feel ashamed if you don’t have enough of it, adding to the sense of lack) I put forward a case for the celebration of both self-doubt and self-criticism. I have noticed that many students feel bad and anxious about the fact that they don’t feel happy with what they have achieved. They assume that those bearers of more conspicuous success must feel good about themselves.

I hope it is reassuring and energising to hear that feelings of confidence are a bonus and not a necessity in writing a screenplay (or perhaps anything else). The point, really, is to get on with it whatever you feel; to learn to coexist with emotional discomfort or anxiety, not to think there’s something wrong with you because it feels hard or you make mistakes.

(My repeated contacts with people struggling with these and other obstacles on the road of screenwriting and directing, some of them students, some practitioners, and the pleasure I get from being able to be of some assistances perhaps simply by saying out loud the things |I wish someone would say to me when I am struggling and it has led me to decide to offer an open workshop or two some time later this year.

Laughing

As we emerge from the Papal Palace to a soft pink early evening light, Michael Ondaatje suggests a ride on a carousel.  Rebecca Swift and Rebecca Abrams, Michael and I sit on our painted wooden horses, laughing, laughing, and singing, as we slowly turn and turn on our horses as they rise and fall. Later, around midnight, after a feast, driving back into Egaylieres, Michael and I are consumed with the need to find a house we had each stayed in (at different times) some years back.  Laughing, again, we stumble about in the dark. This is it.  No, here!  A light on in the house, a figure moving behind the shutters. Michael shouting up a name into the darkness.

The next morning I visit the alchemist garden one last time and take some photographs with my mobile phone.  For the last month I have been gardening in southern central France: a view of mountains in the distance, but my eyes mostly scanning what is close.  I have had my hands in the earth, day after day, calloused from digging, torn and bleeding from brambles, thistles and nettles. 

I have planted three varieties of potato, two of carrot, four of French bean; tomatoes, leeks, beetroot (red and golden), three types of basil plus thyme, rosemary, mint, dill, tarragon, borage and coriander.  The strawberries, when I left, were red and heavy; the roses were starting to bloom.  A year ago it was a wilderness, full of choking weeds.  Now it looks empty, too clean, but cared for. 

Tomorrow, in London, I will be in a meeting about an opera; two scripts now sit in my suitcase, surrounded by uncertainty, budding but not yet blooming.

From YES BLOG by Sally Potter

The next Abroad Writers’ Conference is scheduled for 21 to 28 November 2012 at Hever Castle. Authors teaching workshops are: Robert Olen Butler, Paul Harding, Edward Humes and Alex Shoumatoff along with three lecturing British historians: Sarah Gristwood, Eric Ives and Alison Weir.

Conference schedule

Anne Boleyn – an early French Reformist

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Anne Boleyn spend her teenage years in France and was at the center of the reformist movement

Anne Boleyn, the second wife of Henry VIII, lived in France from 1514 to 1521. During her teenage years in France, Anne was at the center of the French Reformist Movement.

She lived in the court of Queen Claude of France, where religious emphasis was on reform.

This is historian Eric Ives’s view of those early years: “In the court of Queen Claude of France where Anne served between 1514 and 1521, as [Louis] de Brun has told us, Anne’s taste was for religious literature in French.

Claude’s household was much influenced by reform (as also the entourage of her sister-in-law Marguerite of Navarre).

The leading figure in the reform was Jacques Lefevre d’Etaples. His Commentary on the epistles of St Paul, published in 1512, abandoned the established way of interpreting scripture through allegory, tropology and analogy in favor of the literal sense understood through the guidance of the Holy Spirit. In successive works he moved steadily to the conviction that for a Christian the Bible was the only authority, not scripture as interpreted by the faith of the Church……..Lefevre taught justification by faith long before Luther. His 1512 commentary on St Paul’s Epistle to the Romans explicitly stated that it is impossible for men ‘to be saved of themselves and their good works’. Human effort has no part in justification”.

‘A deeper understanding’

Eric believes that Anne embraced the reformist spirit and transformed herself and possibly even had a conversion experience. She had a faith that was Bible-centered and made a special study of the Epistles of St Paul and was familiar with the doctrine of justification by faith.

Jacques Lefevre (1455-1536), was an ordained priest who studied at the University of Paris and later taught philosophy and mathematics.

After spending many years traveling in Italy, he began editing and commenting on works of Aristotle.

In 1509, Jacques published The Fivefold Psalter (Quincuplex Psalterium). He printed four translations of the Psalms side by side with a fifth column that was his own interpretation of the Latin version that was referenced to a Hebrew text – the first Bible translation in more than a 1,000 years.

In 1512, he produced A Commentary on the Epistles of St Paul, a version Lefevre based on the original Greek text and editorial material.

Lefevre’s comments in both the Fivefold Psalter and Commentary were a radical interpretation of the Bible and Rome.

He had a passion for the classics like other 16th Century humanists, who did not want to accept interpretations that were handed down to them by medieval scholars. They wanted to read and interpret the originals.

Instead of interpreting scripture in the established way through allegory, metaphor and mystical means, Lefevre searched for the literal meaning, taking a new realistic approach that was based on a deeper understanding through spiritual guidance versus surface interpretations.

Protected from hostility

According to Eric Ives: “Lefevre moved steadily to the conviction that for a Christian the Bible was the only authority, a position which reformers would call sola scripture [scripture alone].”

In 1524, Lefevre published the Psalms in French “so that men and women who speak and understand this language might be able to pray to God with greater devotion and feeling”.

However, in 1525/6 Bible translations became illegal in France.

Afterwards, he moved his publications to Antwerp to publish the entire Old Testament  in 1528.

In England, there was a prohibition on vernacular scriptures in English. Men and women were not allowed free access to the Bible, but only the interpretations of the Bible given by the Church. Books were not readily available in the market place until 1530.

In France, Lefevre incurred much hostility but was protected by Francis I the king of France and his sister Marguerite d’Angouleme.

Lefevre manuscripts illegal

Eric Ives says, “It can hardly be accidental that among her [Anne's] surviving books is a personal manuscript text of Lefevre’s Epitres et evangiles pour les cinquante et demux sepmaines de I’an, each passage accompanied by an explanatory homily.

The homilies were reformed, through and through: ‘not a father of the Church, not a holy exegete, not a doctor [of the Church] is mentioned. [Lefevre] makes an absolute distinction between the Bible and tradition.

“The Paris theologians claimed to find 48 errors in the book, most of them damnable heresies, including justification by faith alone and a denial that good works are necessary for salvation.

“Anne’s own manuscript retains the Bible readings in French but the commentary is in English. Professionally copied and illuminated, it had been translated by her brother George, Lord Rochford, and was presented to Anne in the autumn or winter of 1532-3.

“George was a keen reformer – Chapuys hated being escorted by him because he insisted on discussing religion – and the dedication specifically says that he was responding to a ‘commandment’ from Anne. What is more, the actual copy of the 1530-2 Alencon edition, which George used for the translation, is known to have been already available at court.

Thus for Anne to call for an additional copy and a personal one at that, must mean that the Epistres et evangiles had a special significance for her.

Even more lavish was her manuscript copy of a French reformist commentary on the Old Testament book of Eccleistes. It was again a French/English hybrid attributable to Rochford, and justification by faith comes through loud and clear.”

In 1521, Anne Boleyn returned to England, after her time as a lady-in-waiting for Claude, Queen of France. What a change it must have been for her, after being in the center of the reformist movement in France.

In England, reformist manuscripts were blocked and burned by the church and the only way to purchased them was through smugglers. Suddenly, Anne was faced with the realization that her beloved Lefevre manuscripts were illegal and that she could be arrested and killed because of her beliefs.

Hear Eric talk about his research by joining Abroad Writers’ Conference at Hever this autumn. See our booking information for ticket details.

Conference schedule