2025 ABROAD WRITERS’ CONFERENCE

Summer Festival in France, Spain, Italy and Greece

We’ll be traveling on, ATLAS OCEAN VOYAGES, a small Luxury Cruise Ship, with a maximum capacity of 190 guest passengers.

For our Writers’ Conference, we will be going on two separate cruises. It’s possible to attend both or just one. Five Authors will teach workshops on each cruise. In addition, we’re inviting guests Authors in Barcelona to give a reading.

Saint Tropez, France

First Cruise on ATLAS OCEAN VOYAGE

Departure from Nice on July 20th – 28th, 2025 Port stops: Nice, Saint-Tropez, Marseilles, Port-Vendres, Mahon/Spanish Island, Palma de Mallorca/Spanish Island, Barcelona

Authors Teaching Workshops and Giving Readings:

ANDRE DUBUS III, Fiction/Memoir

Billy O’Callaghan-Fiction/novel or short story

Masterclass

The Art and Craft of Writing a Short Story

(4 days 3 hours a class)

This workshop is designed to help the writer get inside the workings of a story.

Jacquelyn Mitchard– Full Manuscript Workshop (7 participants)

A workshop for writers with a full or partial manuscript of fiction, non-fiction or memoir in any genre will provide each writer with expert instructor and peer critique, a full workshopping experience, as well as techniques to enhance every element of prose from openings to conclusions, dialogue and pacing, and raising the narrative stakes, with an awareness of current market trends and the publishing process.

Ruth Padel– Poetry

Ιn Advance: Write a poem to the exercise below. We will discuss these in the first workshop. If it doesn’t work for you, bring an already-written other poem to the workshop.

Workshops are three hours with a 15 minute comfort break.

Day One

We read and discuss a poem I bring, and workshop your poems. I will set an exercise, for you to try before Day Two workshop, and hand out more exercises, in case you want to try any for the following three days.

Day Two

We read and discuss a poem I bring, then workshop your poems, either one you have freshly done the day before, or an existing poem. We discuss the role of metaphor in a poem.

Day Three

We read and discuss a poem I bring, then workshop your poems (either one you started in the week or a pre-existing poem) and discuss voice, angle of approach, and techniques of editing.

Day Four

We workshop your poems, discuss line-lengths, line-endings and the integrity of the line, and finish up with you each reading, more formally, a poem you have (ideally) written or at least started, or thoroughly remodelled, during the week.

PREPARATORY EXERCISE : ‘THINKING OF SOMEONE YOU LOVE’

1. Think of someone you love, alive or not. Set a timer for ten minutes and list as many small details as you can, as though you are drawing them, e.g. small scar on left hand the shape of a forward slash, their soft dark arm hair, slightly curly.

2. Go for a walk (or think of a path or street you know well and take yourself down that, in your mind) and take notes. • what can you see? • hear? • smell? • what are you thinking? • what is the sky doing? • what is the light like? • are you warm or cold?

3. Write a poem about this person using only images, sensations and noises from your walk. Don’t say directly how you feel about them, or what your relationship is. Instead put it into the ways you describe the landscape, with these feelings.

4. If you feel the poem needs something else, adding a few details about the person from your list (step 1 above).

6. Once you have a draft, think about the form:
• should it be a block • a sliver with only a few words per line • gently paced long-lined stanzas that break after each third or fourth line? Keep changing the form until you feel it really suits the content of the poem.

7 Title it for either one of the details about the person, or one of the images you use to describe them.

Craig Santos Perez-Poetry

Eco-Poetry Workshop
(Four Workshops, 3 hours per day)

This series of workshops will explore one of the most important poetic movements of our time: “Eco-Poetry,” which refers broadly to poetry about nature, wilderness, ecology, water, animals, environmental justice, and climate change. 

Poetry engaging with the natural world goes back thousands of years to the present, from indigenous orature to the British Romantics, from Walt Whitman and Emily Dickinson to W.S. Merwin and Lucille Clifton. From Asia to Africa, the Caribbean to Canada, every country has a rich legacy of environmental writing to explore our diverse interactions and entanglements in the web of life. 

In this workshop, we will discuss and analyze the techniques, narratives, forms, and perspectives of well-known eco-poets, such as Camille Dungy, Aimee Nezhukumatathil, Joy Harjo, Robert Hass, Jane Hirshfield, and Elizabeth Acevedo, to name a few. We will also discuss some of the major forms within the field (including pastoral and eclogue), as well as how the field intersects with gender (eco-feminism), culture (indigenous eco-poetics), sexuality (queer eco-poetics), ability (disability eco-poetics), and the elements (hydro-poetics). 

Beyond our discussions of form and theory, we will focus the bulk of our time workshopping your own original poetry. Each participant will be required to bring four poems that can be interpreted as eco-poetry. Each day we will close read and offer constructive criticism and revision strategies to each poem. We will strive to cultivate a supportive and critical workshop space. 

During the last part of the workshop, I will provide an eco-poetry prompt to generate new work while on the cruise and experiencing the ecologies of the Mediterranean.  

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Cinque Terre, Italy

2nd Cruise Departure July 28- August 9th 2025 Barcelona-Athens to Roses (Spain), Sete (Montpellier, France), Saint Tropez (France), Porto Venere (Cinque Terre, Byron’s Grotto, Italy), Livorno (Florence/Pisa, Italy), Porto Santo Stefano (Italy), Sorrento (Amalfi Coast, Pompeii, Italy), Lipari Island (Sicily), Chania (Crete, Greece), Hydra (Greece), Athens (Greece)

Authors Teaching Workshops and Giving Readings:

ANDRE DUBUS III, Fiction/Memoir

LISA GENOVA, Fiction & Nonfiction

Beginning each day: The way in

The Principles of Acting applied to writing

Senses, emotion, & perspective

1000-1500 words

SARAH GRISTWOOD, Memoir & Journaling

JACQUELYN MITCHARD– Full Manuscript Workshop (7 participants)

A workshop for writers with a full or partial manuscript of fiction, non-fiction or memoir in any genre will provide each writer with expert instructor and peer critique, a full workshopping experience, as well as techniques to enhance every element of prose from openings to conclusions, dialogue and pacing, and raising the narrative stakes, with an awareness of current market trends and the publishing process.

CRAIG SANTOS PEREZ, Poetry

Eco-Poetry Workshop
(Four Workshops, 3 hours per day)

This series of workshops will explore one of the most important poetic movements of our time: “Eco-Poetry,” which refers broadly to poetry about nature, wilderness, ecology, water, animals, environmental justice, and climate change. 

Poetry engaging with the natural world goes back thousands of years to the present, from indigenous orature to the British Romantics, from Walt Whitman and Emily Dickinson to W.S. Merwin and Lucille Clifton. From Asia to Africa, the Caribbean to Canada, every country has a rich legacy of environmental writing to explore our diverse interactions and entanglements in the web of life. 

In this workshop, we will discuss and analyze the techniques, narratives, forms, and perspectives of well-known eco-poets, such as Camille Dungy, Aimee Nezhukumatathil, Joy Harjo, Robert Hass, Jane Hirshfield, and Elizabeth Acevedo, to name a few. We will also discuss some of the major forms within the field (including pastoral and eclogue), as well as how the field intersects with gender (eco-feminism), culture (indigenous eco-poetics), sexuality (queer eco-poetics), ability (disability eco-poetics), and the elements (hydro-poetics). 

Beyond our discussions of form and theory, we will focus the bulk of our time workshopping your own original poetry. Each participant will be required to bring four poems that can be interpreted as eco-poetry. Each day we will close read and offer constructive criticism and revision strategies to each poem. We will strive to cultivate a supportive and critical workshop space. 

During the last part of the workshop, I will provide an eco-poetry prompt to generate new work while on the cruise and experiencing the ecologies of the Mediterranean.  

AUTHORS

CRAIG SANTOS PEREZ, 2023 NATIONAL BOOK AWARD WINNER for POETRY

Craig Santos Perez (born February 6, 1980) is a poet, essayist, former university professor, American publisher (USA) from the Chamorro people, born in Mongmong-Toto-MaiteGuam Island. His poetry has received multiple awards, including the 2023 National Book Award, a 2015 American Book Award and the 2011 PEN Center USA Literary Award for Poetry.

Having grown up in a bilingual environment in Guam, Santos Perez moved with his family from Guam to California, United States, in 1995. He has stated in an interview: “When my family migrated to California, and when I left my family to attend college, Chamorro became nearly non-existent in my life. Because poetry became a way for me to stay connected to memories of home, and a space where I could learn and write about my cultural history, the Chamorrolanguage started to reappear in small ways. I do not have a formula for how this happens; it just happens intuitively. Though I have noticed that most of the Chamorro words that enter into my poetry are words from the natural word, or prayers. Still today, my poetry is written predominantly in English, but I hope that someday Chamorro will become a fuller part of my life and my poetry.”

In 2011, together with Brandy Nālani McDougall, he co-founded the publishing house of Ala Press, specializing in the dissemination of literature and culture of the Pacific Islands.

ANDRE DUBUS III, NATIONAL BOOK AWARD FINALIST for FICTION

Andre Dubus III’s nine books include the New York Times’ bestsellers House of Sand and Fog, The Garden of Last Days, and his memoir, Townie, a #4 New York Times bestseller and a New York Times “Editors Choice”. His work has been included in The Best American Essays and The Best Spiritual Writing anthologies, and his novel, House of Sand and Fog was a finalist for the National Book Award, a #1 New York Times Bestseller, and was made into an Academy Award-nominated film starring Ben Kingsley and Jennifer Connelly. His 2013 novella collection, Dirty Love, was listed as a “Notable Book” by The Washington Post and The New York Times, and was named a New York Times Editors’ Choice” and a Kirkus “Starred Best Book of 2013”. His 2018 novel, Gone So Long, was named on many “Best Books” lists, including selection for The Boston Globe’s “Twenty Best Books of 2018” and “The Best Books of 2018, Top 100”, Amazon. His most recent novel, Such Kindness, was one of Amazon’s “The Best Books of 2023, Top 100”. His acclaimed collection of personal essays, Ghost Dog: On Killers and Kin, was published in March 2024. He is also the editor of Reaching Inside: 50 Acclaimed Authors on 100 Unforgettable Short Stories, (Godine, 2023.)

Mr. Dubus has been a finalist for the National Book Award, and has been awarded a Guggenheim Fellowship, The National Magazine Award for Fiction, three Pushcart Prizes, and is a recipient of an American Academy of Arts and Letters Award in Literature. His books are published in over twenty-five languages, and he teaches at the University of Massachusetts Lowell.

JACQUELYN MITCHARD, #1 NY TIMES BEST SELLING AUTHOR

Jacquelyn Mitchard is the New York Times bestselling author of 23 novels for adults and teenagers, and the recipient of Great Britain’s Talkabout prize, The Bram Stoker and Shirley Jackson awards, and named to the short list for the Women’s Prize for Fiction. Her first novel, The Deep End of the Ocean, was the inaugural selection of the Oprah Winfrey Book Club, with more than 3 million copies in print in 34 languages. It was later adapted into a major feature film starring Michelle Pfeiffer. Her novel Still Summer has also been adapted for a film still in production and her teen trilogy The Midnight Twins, is in development for a limited series by Kaleidoscope Entertainment. Her essay collection, The Rest of Us: Dispatches from the Mother Ship, was drawn from her newspaper column syndicated by Tribune Media. Mitchard’s essays also have been published in magazines worldwide, widely anthologized, and incorporated into school curricula. She served on the Fiction jury for the 2003 National Book Awards and was editor-in-chief of Merit Press, a Young Adult imprint under the aegis of Simon and Schuster.

A Chicago native, Mitchard grew up the daughter of a plumber and a hardware store clerk who met as rodeo riders. She is a Distinguished Fellow at the Ragdale Foundation and a DeWitt Clinton Readers Digest Fellow at the MacDowell Colony. She has taught in MFA program for Creative Writing at Vermont College of Fine Arts, Miami University of Ohio and Western New England University and was a speechwriter for former U.S. Rep. and Secretary of Health and Human Services Donna E. Shalala. An avid Italian cook, she lives on Cape Cod with her husband and their nine children. Her newest novel, A Very Inconvenient Scandal, the story of Frankie Attleboro, an acclaimed young underwater photographer reeling from her mother’s shocking death, whose famous marine biologist father shatters the family by marrying Frankie’s best friend, is out from Mira/HarperCollins.

LISA GENOVA, AWARD WINNING, NY TIMES BEST SELLING AUTHOR AND NEUROSCIENTIST

Lisa Genova graduated valedictorian, summa cum laude from Bates College with a degree in Biopsychology and has a Ph.D. in Neuroscience from Harvard University.

Acclaimed as the Oliver Sacks of fiction and the Michael Crichton of brain science, Lisa has captured a special place in contemporary fiction, writing stories that are equally inspired by neurological conditions and our shared human condition. She is the New York Times bestselling author of the novels STILL ALICE, LEFT NEGLECTED, LOVE ANTHONY, INSIDE THE O’BRIENS, and EVERY NOTE PLAYED.

RUTH PADEL, National Poetry Competition (UK) Winner, FINALIST T.S. ELIOT POETRY PRIZE

Ruth Padel is an award-winning poet, author and novelist with close links to Greece, wildlife, classical music, nature and science — her recent pamphlet of poems, Watershed, explores water and climate denial.

Her twelve poetry collections, shortlisted for all major UK prizes, include Beethoven Variations (“She tells the great composer’s life story more profoundly than most biographies”, New York Times) and We Are All from Somewhere Else, a prose-and-poetry work on animal and human migration. Darwin: A Life in Poems was an innovative biography in poems of her great-great-grandfather Charles Darwin. Her first novel Where the Serpent Lives was on wildlife conservation in India.

Her non-fiction ranges from tiger conservation to the influence of Greek myth on rock music, and reading contemporary poetry.

Her poems have appeared in New York Review of Books, London Review of Books, New Yorker, Times Literary Supplement, Harvard Review and elsewhere. She has served as Chair of Judges for the T. S. Eliot and Forward Poetry Prizes, and as Judge for the International Man Booker Prize and Wellcome Trust Science Book Prize.

SARAH GRISTWOOD, BRITISH SUNDAY TIMES BESTSELLING AUTHOR, BIOGRAPHER, HISTORIAN AND BROADCASTER

Sarah Gristwood is an English journalist and author. She was born in Kent, grew up in Dover and educated at St Anne’s College, Oxford.

As a journalist she has written for a number of British papers, including The TimesThe Guardian and the Telegraph.[3] She has written historical biographies as well as fiction, and has contributed to television documentaries.

Gristwood’s historical biography, Arbella: England’s Lost Queen is about Lady Arbella Stuart, an English noblewoman who was considered a possible successor to Elizabeth I. In a review in The Times, Kevin Sharpe wrote, “Sarah Gristwood presents a powerful story of the dynastic insecurity of the Tudors and Stuarts, and of the vulnerability of Elizabeth and James to foreign and domestic intrigues.” Sarah Gristwood accepted the invitation of the Royal Stuart Society, on the occasion of the Quatercentenary of the death of Arbella, to give a Lecture with the title: Lady Arbella Stuart – England’s Lost Queen?

Her book, Game of Queens: The Women Who Made Sixteenth-Century Europe, focuses on five queens: Catherine de MediciAnne BoleynMary I of England, Elizabeth I, and Mary, Queen of Scots.

She has appeared in the movie Venice/Venice (1992), and as herself in the television series Stars of the Silver Screen (2011) and Discovering Fashion: The Designers (2015)

BILLY O’CALLAGHAN, AWARD WINNING IRISH AUTHOR

Billy O’Callaghan was born in Cork in 1974, and is the author of four short story collections: In Exile (2008, Mercier Press), In Too Deep (2009, Mercier Press), The Things We Lose, The Things We Leave Behind (2013, New Island Books, winner of a 2013 Bord Gáis Energy Irish Book Awardand selected as Cork’s One City, One Book for 2017), and The Boatman(2020, Jonathan Cape and Harper (U.S.A.)), as well as the novels The Dead House (2017, Brandon/O’Brien Press and 2018, Arcade/Skyhorse (USA)), My Coney Island Baby, (2019, Jonathan Cape and Harper (U.S.A.)) and Life Sentences (2021, Jonathan Cape and Godine (U.S.A.)).

His latest novel, The Paper Man, was recently published by Jonathan Cape and Godine in May 2023. Read more about it on the Books page.

Billy is the winner of a Bord Gáis Energy Irish Book Award for the short story, and twice a recipient of the Arts Council of Ireland’s Bursary Award for Literature. Among numerous other honours, his story, The Boatman, was a finalist for the 2016 Costa Short Story Award, and more than a hundred of his stories have appeared or are forthcoming in literary journals and magazines around the world, including: Absinthe: New European Writing, Agni, the Bellevue Literary Review, the Chattahoochee Review, Confrontation, the Fiddlehead, Hayden’s Ferry Review, the Kenyon Review, the Kyoto Journal, the London Magazine, the Los Angeles Review, Narrative, Ploughshares, Salamander, and the Saturday Evening Post.

“Billy O’Callaghan’s work is at once subtle and direct, warm and clear-eyed, and never less than beautifully written. He has a moving ability to express the hopes and fears of ‘ordinary’ people, and he knows intimately the ways of the world. He richly reserves an international reputation. This writer is the real thing.”
~ John Banville, Booker Prize-winning author of The Sea

Lipari, Sicily

Daily Schedule:

7:30 Breakfast

Workshop Schedule will be posted later

7:00 Free Nighty Reading and Discussions

8:00 Group Dinner

WE’RE OFFERING, NINE, 12 HOUR WORKSHOPS RATES: (1) FICTION, MEMOIR, POETRY $650 PER CLASS (2) FULL MANUSCRIPT WORKSHOP $1,550 cost not included in AOV Cruise rate

Explore cities and towns on your own or go on an AOV local excursion for an added fee

Booking with be done through Director, Nancy Gerbault. AOV is giving Abroad Writers’ Conference a special group rates

FIRST CRUISE=JULY 20th – 28th (8 Nights) Nice, France to Barcelona, Spain

Room Rates–based on two people sharing a room

Oceanview Stateroom

AO Oceanview Stateroom $3,589 per person sharing room (includes tax and port fees), 183 sf with window and sitting area (image above)

Veranda Stateroom

B2 Veranda Stateroom $4,054 per person sharing room (includes tax and port fees), 270sf room with deck include (image above)

B1 Veranda Stateroom $4,181 per person sharing room (includes tax and port fees), 270 sf room on a higher level room with deck

Horizon Stateroom

A2 Horizon Stateroom $4,011 per person sharing room (includes tax and port fees), 270 sf room with floor to ceiling window with top-drop electric window that opens (image above)

A1 Horizon Stateroom $4,096 per person sharing room (includes tax and port fees), 270 sf room on a higher level, with large picture window that opens

Deluxe Veranda &Horizon Stateroom

E2 $5,754 per person sharing room (includes tax and port fees), 300 sf room with deck and separate room with sofa. Possible to have 3rd person (Image above)

E1 $5,584 per person sharing room (includes tax and port fees), 300 sf room with deck and separate room with sofa. Possible to have 3rd person. (image above)

Junior Suite

JS (junior suite) $7,599 per person sharing room (includes tax and port fees), 382 sf with one bedroom suite, oversized private balcony, teak furnishings, living room with sofa, 2 tv’s. up to 3 people. Includes Butler Service and expanded room service. (image above)

Discovery Suite

DS Discovery Suite, $8,049per person sharing room (includes tax and port fees), 445 sf with 1 bedroom suite, oversized private balcony, living room with sofa, 2 tvs. up to 3 people. Includes butler Service and expanded room service (image above)

Navigator Suite

NS Navigator Suite, $8,499 per person sharing room (includes tax and port fees), 465 sf oversized private balcony, 1 bedroom suite, double sinks and tub, living room with sofa two tvs, up to 3 people (image above). Includes Butler Service and expanded room service. Free stocked in-room minibar, 24-hour room service including spirts, wine & beer. Portuguese linen sheets. (image above)

SECOND CRUISE JULY 20TH-28TH NICE – BARCELONA (12 nights): STATEROOM RATES

Room rates are based on two people sharing a room

Images of rooms the same as in First Cruise

Ocean Stateroom

AO $5,189 per person sharing room (includes tax and port fees), Small room with window (image above)

Varanda

B2 $5,996 per person sharing room (includes tax and port fees), 270sf room with deck include (image above

B1 $6,166 per person sharing room (includes tax and port fees), 270 sf room on a higher level room with deck (image above)

Horizon

A2 $5,911 per person sharing room (includes tax and port fees), 270 sf room with large picture window that opens (image above)

A1 $6,081 per person sharing room (includes tax and port fees), 270 sf room on a higher level, with large picture window that opens (image above)

Deluxe Veranda & Horizon Stateroom

E2V $8,546 per person sharing room (includes tax and port fees), 300 sf room with deck and separate room with sofa. Possible to have 3rd person (image above)

E1H $8,291 per person sharing room (includes tax and port fees), 300 sf room with deck and separate room with sofa. Possible to have 3rd person. (image above)

Junior Suite

JS $11,174 per person sharing room (includes tax and port fees), 382 sf with one bedroom suite, oversized private balcony, teak furnishings, living room with sofa, 2 tv’s. up to 3 people (image above)

Discovery Suite

DS $11,849 per person sharing room (includes tax and port fees), 445 sf with 1 bedroom suite, oversized private balcony, living room with sofa, 2 tvs. up to 3 people (image above)

Navigator Suite

NS $12,749 per person sharing room (includes tax and port fees), 465 sf oversized private balcony, 1 bedroom suite, double sinks and tub, living room with sofa two tvs, up to 3 people (image above)

AOV honors military personnel with a savings up to 20%. Military members can enjoy these discounts on select sailings.

AOV CRUISES includes:

Free Cultural immersion

Free Gourmet dining–buffet breakfast & lunch and ever-changing menus dinners–they will accommodate for all dietary requirements

Free Unlimited beverages, including fine wines, spirts and craft beers

Free Open bars and lounges, including 24-hour bar service with specialty canapes

Free stocked in-room minibar

Free Speciality espresso coffees, teas and fresh-pressed juices–open from 7:30 am

Free Afternoon and high tea

Free Champagne and gourmet canapés during meeting

Free L’Occitane bath amenities

Free Pre-paid gratuities

Free Use of Walking sticks and binoculars

Free Reusable water bottle

Free Butler service and expanded room service menu in suites

Contact:

Nancy Gerbault/Director

Phone: 209 256 2567

Nancy@abroadwritersconference.com

Visit Ancient Worlds of Legends and Myths

For more information about the cruise please contact me directly: nancy@abroadwritersconference.com

CELEBRATION OF AUTHORS FROM FINISHING LINE PRESS

COME JOIN US ON A JOUNEY INTO A WORLD OF PRODUCTIVE CREATIVITY AND INSPIRATIONAL JOY. ABROAD WRITERS’ CONFERENCE INTIMATE LITERARY CRUISE SALON.

VENICE TO ATHENS

JUNE 5 – 14, 2024

Award Winning Authors, Poets, Filmmakers and Lovers of the Arts will be joining us for a fabulous cruise on Atlas Ocean Voyage from Venice, Italy to Athens, Greece. From Venice we’ll be stopping in Ancona, Italy; Hvar Island, Croatia; Dubrovnik, Croatia; Montenegro, Kotor; Corfu, Greece; Delphi. Our final destination is Athens, Greece

.We’ll be cruising on the stunningly beautiful Adriatic Sea. Crystal clear water that varies in color from green to azure blue, is home to an abundance of marine life, dolphins, sea turtles and various species of fish. On board, you’ll experience the delights of three different restaurants with a variety of choices—meals and drinks covered by the cost of your stateroom. Dive into the swimming pool or take a full treatment spa treatment, inviting hot tub. A voucher will be offered to use on services.

Evening begins with Learning from Award Winning Authors and Listening to new and veteran authors reading excerpts from their latest books, while sipping a glass of wine. Daylight is a time of exploration. Visiting the sites and sounds of ancient cities and ruins of the past.

Atlas Ocean Voyages is giving our group a $1,000 discount.

We’ll be offering a variety of workshops and master classes in poetry, children’s book writing, fiction & nonfiction, memoir.

Award Winning Authors joining us: LINDA OATMAN HIGH, BILLY O’CALLAGHAN, Poet to be announced shortly.

For more information, please contact us at nancy@abroadwritersconference.com

JUNE 2019, Abroad Writers’ Conference is going to visit, one of the world’s greatest food cities, SAN SEBASTIAN, SPAIN

HONDARRIBIA, SPAIN

In mid June, Abroad Writers’ Conference is going to travel to San Sebastian, Spain. We’ll be staying in the ancient town of Hondarribia in a 10th century Castle. Hondarribia is just outside of San Sebastian. This charming Old Medieval Basque Town is one of the most beautiful places in the region.

This historic coastal fishing town, is surrounded by fortified walls. Inside the walls lies a beautiful old town, with cobble stone streets, old Basque houses in vivid colors, Michelin star restaurants, pinto bars and charming shops.

For the past 10 years, San Sebastian has been known as one of the food meccas of the world. Yearly, one of the top 10 restaurants in the world is situated in San Sebastian. A food and writing experience in San Sebastian, Spain.

I’m just starting to line-up authors for this exciting event.

12/8-15/2017 Partial or FULL MANUSCRIPT RETREAT in GUALALA, California


ST ORRES, Gualala

 

ABROAD WRITERS’ CONFERENCE has been offering Full-Length Manuscripts Edit & Critique Workshops for Six years. This highly successful workshop has helped numerous writers get their manuscripts published.

This December, we’re planning on holding a special Full or Partial Manuscript Retreat at St. Orres in Gualala, California. We will be accepting both Fiction & Non-Fiction Manuscripts with no page limit.

What makes this event different from our normal workshop?

– The conference will focus specifically on Full Manuscripts. We will not be offering single chapter workshops, just completed work.

Daily Schedule

– 8:00 – 12:00 Daily morning workshops with Jacquelyn Mitchard or Connie May Fowler. Each day, one participant will receive a 4 1/2 hour critique of manuscript from instructor and participants in workshop. Prior to arrival, all participant in workshop must read, edit and write a critique of all participants manuscripts. Workshops will have a maximum of 8 attendees.

– 2:30 – 6:30 Afternoon Craftwork with Guest Authors will be teaching a series of Craft workshops. Workshops various topics such as:Time Present and Time Past in Visual Settings, Tension within a story, Dialogue, Plot, Narrative Structure and Writing about Politics.

-6:30 – 7:30 Readings & Panel Discussions

-7:30 Dinner

– All participants will submit information to Literary Agent, Jeff Kleinman prior to arrival:

– Query letter
– One-page single-spaced synopsis
– First 20 pages of manuscript, doublespaced, times roman 12, 1” margins.

At Retreat:

Jeff Kleinman will have, One on One with each participants. They will discuss their manuscript and the possibility of representation. If not with Jeff, whom he would recommend.

– Afternoons are devoted to writing and exploration. St Orres is located on the coast in Mendocino County. This uniquely crafted Russian style hotel is a California landmark. The owner built this magical hotel in the redwoods 45 years ago. magnificent location is rich in wildlife and natural beauty. From your cabin in the woods, you’ll experience the pleasure of being in
one of the most beautiful locations in California.

INSTRUCTORS:

CONNIE MAY FOWLER – Full Manuscript Edit & Critique

JACQUELYN MITCHARD – Full Manuscript Edit & Critique

GUEST AUTHORS:

ETHEL ROHAN – The Art of Tension

Tension is anticipation. Who are the main and secondary characters? What do they need and want? Why do they need and want what they do? How do they go about achieving their desires? What’s in their way? Will they succeed or fail? Story collapses without tension and conflict. There have to be burning motivations, high stakes, and mounting obstacles. In class, we will dissect a sampling of stories and zero in on tension in particular to study the various and most compelling ways it is achieved.

GABRIELLE SELZ – Visual Element of Setting/Time and Space in a Story

AGENT:   JEFF KLEINMAN of Folio Literary Management

Books Jeff Kleinman is looking for:

  • Books with a distinctive, special voice.
  • Books with a very unique premise,  “I haven’t seen this before”.
  • Upmarket/literary suspense/thrillers. Psychological suspense stories with unique concepts and strong writing.
  • Escape stories that take us totally out of our world and into another.
  • History has always been a passion, so I’m on the lookout for something that brings the past to life.

A great story can allow you to enter other people’s thoughts and lives – and, when you close the book with a sigh, transform you: maybe you’re a little more grateful, or a little kinder, or a little wiser. I love books that inspire me to become better, smarter, more present. This has been the case with many of the books I’ve represented, and it’s something I seek in new projects. I believe strongly that books can make a difference. Good writing and smart ideas can change our world.

 

Dining Room

 

Price:

Single Room in Hotel with shared bathroom                                               $3,150

Choice of staying in a Single Creekside Cabin or an Elegant 2 bedroom Creekside Cottages with private bath                                 $3,350

Creekside Suite with Sauna or Deep Soaking Tub                                 $3,750

Price includes:

Full Manuscript Edit & Critique Workshop

Guest Author craft workshops & Seminars

Agent Review of Manuscript

Full Breakfast & Three Course Dinner

Spa with Sauna and Hot Tub – Extra fee for Massages

Reading Schedule at PRIM’S BOOKSTORE, Kinsale

 

ABROAD WRITERS’ CONFERENCE

READING SCHEDULE

August 4th

PRIM BOOKSTORE

5:00 – 7:00

SARAH GRISTWOOD

After leaving Oxford, Sarah Gristwood began work as a journalist, writing at first about the theatre as well as general features on everything from gun control to Giorgio Armani. But increasingly she found herself specialising in film interviews – Johnny Depp and Robert De Niro; Martin Scorsese and Paul McCartney. She has appeared in most of the UK’s leading newspapers – The Times, the Guardian, the Telegraph (Daily and Sunday) – and magazines from Sight and Sound to The New Statesman.

Turning to history she wrote two bestselling Tudor biographies, Arbella: England’s Lost Queen and Elizabeth and Leicester; and the eighteenth century story Bird of Paradise: The colourful career of the first Mrs Robinson which was selected as Radio 4 Book of the Week. She also published a book on iconic dresses, Fabulous Frocks (with Jane Eastoe); and a 50th anniversary companion to the film Breakfast at Tiffany’s, as well as co-authoring The Ring and the Crown, a book on the history of royal weddings. Her most recent non-fiction books are Game of Queens: The Women Who Made Sixteenth-Century Europe (2016) Blood Sisters: the Women Behind the Wars of the Roses (2012) and The Story of Beatrix Potter (2016). She has also published a historical novel, The Girl in the Mirror.

A regular media commentator on royal and historical affairs, Sarah was one of the team providing Radio 4’s live coverage of the royal wedding; and has since spoken on royal and historical stories from the royal babies to the reburial of Richard III for Sky News, Woman’s Hour, BBC World, Radio 5 Live, and CBC. She has contributed to a number of television documentary series on cinema and fashion, as well as on history and the monarchy. Shortlisted for both the Marsh Biography Award and the Ben Pimlott Prize for Political Writing, she is a Fellow of the RSA, and an Honorary Patron of Historic Royal Palaces.

 

DEREK MALCOLM

Malcolm was educated at Eton College and Merton College, Oxford. He worked for several decades as a film critic for The Guardian, having previously been an amateur jockey and the paper’s first horse racing correspondent. In 1977, he was a member of the jury at the 27th Berlin International Film Festival. In the mid-1980s he was host of The Film Club on BBC2, which was dedicated to art house films, and was director of the London Film Festival for several years.
After leaving The Guardian in 2000, he published his final series of articles, The Century of Films, in which he discusses films he admires from his favourite directors from around the world. After The Guardian he became chief film critic for the Evening Standard, before being replaced in 2009 by novelist Andrew O’Hagan. He still contributes film reviews for the newspaper, but it emerged in July 2013 that his contribution to the title was to be reduced further.[5]
In 2008 he was a member of the jury at the 30th Moscow International Film Festival.
Malcolm is president of the British Federation of Film Societies and the International Film Critics’ Circle. In 2003 he published an autobiographical book, Family Secrets, which recounts how in 1917 his father shot his mother’s lover dead, but was found not guilty of murder.

 

 

August 5th

BLUE HAVEN 
5:00 – 7:00

TICKETS 15 euros

JOHN BANVILLE

JOHN BANVILLE will be joining us at the Abroad Writers’ Conference in Kinsale, Ireland, August 4 – 11th.

William John Banville was born in Wexford, Ireland, in 1945, the youngest of three siblings. He was educated at Christian Brothers schools and St Peter’s College, Wexford. After college John worked as a clerk for Ireland’s national airline, Aer Lingus, before joining The Irish Press as a sub-editor in 1969. Continuing with journalism for over thirty years, John was Literary Editor at The Irish Times from 1988 to 1999.

John’s first book, Long Lankin, a collection of short stories and a novella, was published in 1970. His first novel, Nightspawn, came out in 1971, followed byBirchwood (1973), Doctor Copernicus (1976), Kepler (1981), The Newton Letter(1982), Mefisto (1986), The Book of Evidence (1989), Ghosts (1993), Athena(1995), The Untouchable (1997), Eclipse (2000), Shroud (2002), The Sea (2005),The Infinities (2009) and Ancient Light (2012). His non-fiction book, Prague Pictures: Portraits of a City, was published in 2003 as part of Bloomsbury’s ‘The Writer and the City’ series. In 2012, an anthology comprising extracts from John’s fifteen novels to date, together with selections drawn from his dramatic works and various reviews, was published under the title, Possessed of a Past: A John Banville Reader.

Among the awards John’s novels have won are the Allied Irish Banks fiction prize, the American-Irish Foundation award, the James Tait Black Memorial Prize, theGuardian Fiction Prize. In 1989 The Book of Evidence was shortlisted for the Booker Prize, and was awarded the first Guinness Peat Aviation Award; in Italian, as La Spiegazione dei Fatti, the book was awarded the 1991 Premio Ennio Flaiano. Ghostswas shortlisted for the Whitbread Fiction Prize 1993; The Untouchable for the same prize in 1997. In 2003 John was awarded the Premio Nonino. He has also received a literary award from the Lannan Foundation in the US. In 2005, John won the Man Booker Prize for The Sea. In 2011 he was awarded the Franz Kafka Prize. Last year, John was awarded the Irish Pen Award for Outstanding Achievement in Irish Literature.

Under the pseudonym Benjamin Black, John has published the following crime novels: Christine Falls (2006), The Silver Swan (2007), The Lemur (2008), Elegy for April (2010), A Death in Summer (2011) and Vengeance (2012). Later this year, Mantle will publish Holy Orders, the sixth book in the Quirke series. The first three have been adapted by Andrew Davies and Conor McPherson for the BBC, and will be broadcast later this autumn, starring Gabriel Byrne in the title role.

John (again writing as Benjamin Black) has also been commissioned by theRaymond Chandler Estate to pen a new Philip Marlowe novel which will be published by Holt in the US in 2014.

 

BILLY O’CALLAGHAN

Billy O’Callaghan was born in Cork in 1974, and grew up in Douglas village, where he still lives. His first collection of short stories, In Exile, was published by Mercier Press in 2008. This was followed a year later by a second collection, In Too Deep (also published by Mercier Press).[5][6] Then, in 2013, his third collection, The Things We Lose, The Things We Leave Behind, was published by New Island Books. It earned him a 2013 Bord Gáis Energy Irish Book Award.

O’Callaghan’s short stories have been published in: Absinthe: New European Writing, Alfred Hitchcock Mystery Magazine, the Bellevue Literary Review, Bliza, Confrontation, The Fiddlehead, Hayden’s Ferry Review, the Kenyon Review, the Kyoto Journal, the London Magazine, the Los Angeles Review, Narrative Magazine, the Southeast Review, Southword, Underground Voices, Versal, and Yuan Yang: a Journal of Hong Kong and International Writing, and many other literary journals and magazines around the world. His stories have also been translated into Polish and Turkish, and have been broadcast on RTÉ Radio 1’s The Book On One,[9] Sunday Miscellany and the Francis McManus Award series.

O’Callaghan compiled a non-fiction book, Learning from the Greats: Lessons on Writing, from the Great Writers, which was published in 2014 by Cork City Libraries as part of their Occasional Series. He also regularly reviews books for the Irish Examiner.

In March 2016, it was announced that O’Callaghan’s first novel, The Dead House, would be released by Brandon Books in Spring 2017.

A novella, A Death In The Family, has been announced as a Ploughshares Solo, forthcoming in 2017.

In November 2013, the title story of O’Callaghan’s most recent collection, The Things We Lose, The Things We Leave Behind won the inaugural Short Story of the Year Award at the 2013 Bord Gáis Energy Irish Book Award. In January 2017, he was awarded second place for the Costa Short Story Award 2016 for his story The Boatman.

Listed among his other honours are The Molly Keane Creative Writing Award, the George A. Birmingham Award, and Bursaries for Literature from the Arts Council of Ireland and the Cork County Council. He has also been shortlisted for many other awards both in Ireland and abroad, including the Seán Ó Faoláin Award, the Glimmer Train Prize, the Faulkner-Wisdom Prize and – on four occasions – the RTÉ/P.J. O’Connor Radio Drama Award. In addition, one of his stories was selected, in 2014, as Ireland’s representative in the ongoing UNESCO Cities of Literature project.

“I know of no writer on either side of the Atlantic who is better at exploring the human spirit under assault than Billy O’Callaghan. The stories in The Things We Lose, the Things We Leave Behind are at once harrowing and uplifting, achingly sad and surpassingly beautiful. O’Callaghan is a treasure of the English language.”

— Robert Olen Butler, author of the Pulitzer Prize-winning A Good Scent from a Strange Mountain,
“The elegant force of Billy O’Callaghan’s prose is immediate and impossible to recover from. He is one of Ireland’s finest short story writers.”

— Simon Van Booy, Frank O’Connor Award-winning author of Love Begins in Winter,
Short story collections[edit]
In Exile (2008)
In Too Deep (2009)
The Things We Lose, The Things We Leave Behind (2013)
Non-fiction[edit]
Learning from the Greats: Lessons on Writing, from the Great Writers (2014)

 

 

August 6th

PRIM BOOKSTORE

5:00 – 6:00

MICHELE ROBERTS

Michele was born in 1949, twenty minutes after my twin sister Marguerite, to a French mother and an English father. She grew up in Edgware, a suburb of north-west London. She attended two local convent schools. Summer holidays were spent at the house of our French grandparents in Normandy, near Etretat in the Pays de Caux.

Michele read for a B.A. in English Language and Literature at Somerville, Oxford. In those days this was a women’s college: the majority of Oxford colleges did not accept women. Next, she spent two years studying to become a librarian. She knew that she wanted to write but knew, too, how important it was to be able to support herself. She spent a year working for the British Council in South-East Asia. The Vietnam War was devastating the area. She gave up her job and went travelling instead.

After this she gave up any idea of working as a librarian and began earning my living from a variety of part-time jobs. Often she wrote at night. She got involved in a writers’ group, writing short stories, and worked on my first novel, A Piece of the Night, which came out in 1978. It’s always been important her to be financially independent, and she worked as a hospital cleaner, temp secretary, clerk, teacher, journalist, reviewer and critic.

Life as a writer was very hard at first. Still, a chosen poverty is easier to bear than the enforced sort. When Daughters of the House was shortlisted for the Booker Prize in 1992 and won the W.H.Smith Literary Award in 1993, Michele started making more money, and could finally give up the part-time jobs.

Michele lived in many different places, including Italy and North America, but at the age of forty-four I bought her first home: a small house in France. At the moment she lived in both France and England, moving back and forth between the two, and also spend some time at the University of East Anglia, where she’s currently Emeritus Professor of Creative Writing.

Recently she turned down an O.B.E. because she’s a republican, but she was honoured to be made a Chevalier de l’Ordre des Arts et des Lettres by the French government. Michele a Fellow of the Royal Society of Literature and a member of PEN and The Society of Authors. As well as writing, she serves as a judge for literary prizes, have presented radio arts programmes such as Night Waves, have chaired the British Council’s Literature Advisory Committee, and have travelled abroad extensively with other writers on tours organised by the British Council.

Essays
Food, Sex & God: on Inspiration and Writing, 1988, Virago Press
Novels
A Piece of the Night, 1978, Women’s Press
The Visitation, 1978, Women’s Press
The Wild Girl (Also known as The Secret Gospel of Mary Magdalene), 1984, Methuen
The Book of Mrs Noah, 1987, Methuen
In the Red Kitchen, 1990, Methuen
Psyche and the Hurricane, 1991, Methuen
Daughters of the House, 1992, Virago and Morrow (USA)
During Mother’s Absence, 1992, Virago
Flesh & Blood, 1994, Virago
Impossible Saints. Hopewell, 1998, Ecco Press
Fair Exchange, 1999, Little, Brown
The Looking Glass, 2000, Little, Brown
The Mistressclass, 2002, Little, Brown
Reader, I Married Him, 2006, Little, Brown
Ignorance, 2012, Bloomsbury Publishing [6]
Poetry
Touch Papers: Three Women Poets (with Michelene Wandor and Judith Kazantzis), 1982, Allison and Busby
The Mirror of the Mother, 1986, Methuen
Psyche and the Hurricane , 1991, Methuen
All the Selves I Was, 1995, Virago
Short stories
Your Shoes, 1991
During Mother’s Absence, 1993, Virago
Playing Sardines, 2001, Virago
Mud: Stories of Sex and Love, 2010, Virago
Memoir
Paper Houses: A Memoir of the 70s and Beyond, 2007, Virago, ISBN 978-1844084074; paperback 2008, ISBN 978-1844084081

 

LINDA IBBOTSON

Linda Ibbotson is a poet, artist and photographer from the UK, currently residing in Co. Cork, Ireland. Her poetry has been published internationally including Levure Litteraire, Enchanting Verses Literary Review, Irish Examiner, California Quarterly, Live Encounters, Eastern World , (with her artwork) and Fifty Ways to Fly, also read on radio and performed in France by Irish musician and actor Davog Rynne. Forthcoming- poetry and artwork in Levure Litteraire XIII
Her painting Cascade featured as the cover of a cd and a selection of her paintings and photographs also published in Fekt and a painting in Immagine and Poesia. She writes a poetry and arts blog Contemplating the Muse.
Linda was invited to read at the Abroad Writers Conference in Lismore Castle and in Butlers Townhouse, Dublin.

 

August 7th

PRIM BOOKSTORE

5:00 – 6:00

JACQUELYN MITCHARD

Born and raised in a suburb of Chicago, Illinois, Mitchard’s father was a plumber, from Newfoundland, Canada, and her mother a hardware store clerk, a competitive horsewoman, and a member of the Lac du Flambeau Chippewa Cree tribe. She studied creative writing for three semesters under Mark Costello (author of The Murphy Stories) at the University of Illinois at Urbana-Champaign.
She became a newspaper reporter in 1979, eventually achieving a position as lifestyle columnist for the Milwaukee Journal Sentinel newspaper. Her weekly column, The Rest of Us: Dispatches from the Mother Ship, appeared in 125 newspapers nationwide until she retired it in 2007. Mitchard is a contributing editor for More (magazine) and is featured regularly in Reader’s Digest, Good Housekeeping, Hallmark, Real Simple and other publications. Her nonfiction work includes the 1986 memoir ‘Mother Less Child’ (WW Norton) and essays in more than 30 anthologies.
Mitchard married Dan Allegretti, a reporter for The Capital Times, and the couple had three children (Robert, Daniel, and Martin). Dan also had a daughter, Jocelyn, from a previous marriage. After 13 years of marriage, Allegretti died of cancer at the age of 45 in 1993.
After the death of Allegretti, while working freelance for the Milwaukee Journal Sentinel and a part-time public relations position at the University of Wisconsin–Madison, she started writing her first novel, The Deep End of the Ocean.[5] The idea for the story had come to her in a dream in the summer of 1993.[6] She is an alum and distinguished fellow of the Ragdale Foundation, an artist’s colony in Lake Forest, Illinois, where she went to write the first two chapters on the encouragement of author Jane Hamilton.[5] After finishing the first six chapters, 70 pages, she received a contract with Viking Press in December 1994, for that book and a second one to be written later (The Most Wanted).
Bolstered by being featured by Oprah, the novel sold close to 3 million copies by May 1998. It has been Mitchard’s only #1 New York Times Bestseller, on the list for 29 weeks, including 13 weeks at number 1. The book had originally reached number 14, but after being selected by Winfrey, sales jumped. The paperback would spend 16 weeks on the list. The film rights were sold to Mandalay Entertainment, and the story later became a feature film starring Michelle Pfeiffer.
But all of her other novels have been bestsellers as well as garnering critical acclaim—particularly for The Most Wanted, Cage of Stars and The Breakdown Lane. The Most Wanted was nominated for Britain’s Orange Prize for Fiction and Cage of Stars for Britain’s Spread The Word Prize.
In 2004 Mitchard published her first book for children and young adults. Her first children’s picture book, Baby Bat’s Lullaby, appeared in 2004 from HarperChildren’s. Her two middle-grade novels, also published by HarperChildren’s, Starring Prima!: The Mouse of the Ballet Jolie, and Rosalie, My Rosalie: The Tale of a Duckling appeared in 2004 and 2005. Her second children’s picture book, Ready, Set , School!, appeared in 2007.
Now You See Her, Mitchard’s first Young Adult novel, was published in 2007 by HarperTeen. All We Know of Heaven (HarperTeen) appeared in spring 2008, and the first in a series of Young Adult mysteries, The Midnight Twins (Razorbill/Penguin), based on the bewildering clairvoyant gift of twins Mallory and Meredith Brynn, debuted in summer 2008.

For adults
Non-fiction/biography:
1985: Mother Less Child — (W.W. Norton & Co.)
Fiction:
1996: The Deep End of the Ocean — (Viking Press)
1998: The Most Wanted — (Viking Press)
2001: A Theory of Relativity — (HarperCollins)
2003: Christmas, Present — (HarperCollins)
2003: Twelve Times Blessed — (HarperCollins)
2005: The Breakdown Lane — (HarperCollins)
2006: Cage of Stars — (Warner Books; ISBN 978-0-446-57875-2)
2007: Still Summer — (Warner Books; ISBN 978-0-446-57876-9)
2009: No Time to Wave Goodbye — (Random House; ISBN 978-1-4000-6774-9)
2011: Second Nature: A Love Story – (Random House; ISBN 978-1-4000-6775-6)
2016: Two if by Sea : A Novel – (Simon & Schuster; ISBN 978-1-5011-1557-8)
For young adults
Non-Fiction/biography:
1992: Jane Addams: Pioneer in Social Reform and Activist for World Peace — (Gareth Stevens Children’s Books)
Fiction:
2007: Now You See Her — (HarperCollins)
2008: All We Know of Heaven — (HarperTeen)
2008: The Midnight Twins — (Razorbill)
2009: Look Both Ways — (Razorbill)
2010: Watch For Me By The Moonlight – (Razorbill)
2013: What We Saw at Night – (Soho Teen)
For children
2004: Baby Bat’s Lullaby — (with Julia Noonan; HarperCollins)
2004: Starring Prima!: The Mouse of the Ballet Jolie — (with Tricia Tusa; HarperCollins)
2005: Rosalie, My Rosalie: The Tale of a Duckling — (with John Bendall-Brunello; HarperCollins)
2007: Ready, Set, School! — (with Paul Rátz de Tagyos; HarperCollins)
Essays
Mitchard’s essays have appeared in:
1997: The Rest of Us: Dispatches From the Mother Ship — (Viking Press; ISBN 978-0-670-87662-4)
2005: A Love Like No Other: Stories from Adoptive Parents, edited by Pamela Kruger and Jill Smolowe (Riverhead)
2006: My Father Married Your Mother, edited by Anne Burt (W.W. Norton)
2007: Mr. Wrong: Real Life Stories About Men We Used to Love, edited by Harriet Brown (Ballantine)
2007: Choice: True Stories of Birth, Contraception, Infertility, Adoption, Single Parenthood and Abortion, edited by Karen E. Bender and Nina de Gramont (McAdam Cage)
2007: Altared: Bridezillas, Bewilderment, Big Love, Breakups and What Women Really Think About Contemporary Weddings, edited by Collen Curran (Vintage)

 

 

August 8th

PRIM BOOKSTORE

5:00 – 6:00

CONNIE MAY FOWLER

CONNIE MAY FOWLER is an award-winning novelist, memoirist, screenwriter, and teacher. Her most recent book, A Million Fragile Bones, is a memoir that details her experience during the Gulf oil spill and explores the close ties between place, spirituality, family, and environmental devastation. It will be published by Twisted Road Publications in 2017.

Connie is the author of seven other books: six critically praised novels and one memoir. Her novels include How Clarissa Burden Learned to Fly, Sugar Cage, River of Hidden Dreams, The Problem with Murmur Lee, Remembering Blue—recipient of the Chautauqua South Literary Award—and Before Women had Wings—recipient of the 1996 Southern Book Critics Circle Award and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. Connie adapted Before Women had Wings for Oprah Winfrey. The result was an Emmy-winning film starring Ms. Winfrey and Ellen Barkin.

In 2002 she published When Katie Wakes, a memoir that explores her descent and escape from an abusive relationship.

Her work has been translated into 18 languages and is published worldwide. Her essays have been published in the New York Times, London Times, International Herald Tribune, Japan Times, Oxford American, BestLife, and elsewhere. For two years she wrote “Savoring Florida,” a culinary and culture column for FORUM, a publication of the Florida Humanities Council.

In 2007, Connie performed in New York City at The Player’s Club with actresses Kathleen Chalfont, Penny Fuller, and others in an adaptation based on The Other Woman, an anthology that contains her essay “The Uterine Blues.” In 2003, Connie performed in The Vagina Monologues alongside Jane Fonda and Rosie Perez in a production that raised over $100,000 for charity.

Domestic violence shelters and family violence organizations have honored her with numerous awards. Throughout the 1990s she directed the Connie May Fowler Women with Wings Foundation, an organization that was dedicated to aiding women and children in need. In 2009, she received the first annual Peace, Love, and Understanding Award from WMNF Community Radio.

She teaches at the Vermont College of Fine Arts low residency creative writing MFA program and directs the College’s VCFA Novel Retreat held each May in Montpelier, Vermont. Connie, along with her husband Bill Hinson, is founder and director of the newly minted Yucatan Writing Conference. For ten years, she directed various writing conferences in Florida, including the prestigious St. Augustine Writers Conference, which she recently closed in order to concentrate her efforts in the Yucatan. She and Bill reside in Cozumel, Florida, and Vermont with their two dogs, Ulysses and Pablo Neruda, and Catalina The Cat.

“We think our palette is words and paper, but it’s not. It’s the sensations and memories that reside in the dark vaults of our hearts.”~~Connie May Fowler

Novels and memoirs
A Million Fragile Bones, 2017;
How Clarissa Burden Learned to Fly, 2010;
The Problem with Murmur Lee, 2005;
When Katie Wakes, 2002;
Remembering Blue, 2000;
Before Women had Wings, 1996;
River of Hidden Dreams, 1994;
Sugar Cage, 1992
Poetry
Two Thing Thing Poets: Steve Sleboda and Connie May, UT Review, Vol. 5, 1977.
“A Soliloquy of a Seven Year Old,” “Crowded Closets,” Ann Arbor Review, Vol. 27, Washtenaw Community College, 1977.
“You Have Created Me,” Goethe’s Notes: A Literary Magazine, Vol. 6, 1978.
“A Purity of Crabs,” “America: The Invitation and Rejection,” “A Celebration of Nothingness,” Outside the Museum: Contemporary Writings — An Anthology, Ann Arbor Review, Vol. 28, Washtenaw Community College, 1978.
“Genetic Lace,” “The Fear,” Open Twenty-four Hours: Collective Consciousness, Vol. 3, 1984.
“Kateland,” “Ybor City Number One,” The Midwest Quarterly, A Journal of Contemporary Thought, Vol. XXIX, Pittsburg State University, 1988.
“Homesick,” Roberts Writing Awards 1988, The H.G. Roberts Foundation, 1988.

 

August 9th

PRIM BOOKSTORE

5:00 – 6:00

DEBORAH HENRY

Deborah Henry is the author of the critically acclaimed debut, The Whipping Club, which appeared on Kirkus Reviews’ Best of 2012 list, was praised by Publishers Weekly and selected for Oprah’s Summer Reading List.. She holds an MFA from Fairfield University. Her first short story was published in the Copperfield Review, was a historical fiction finalist for Solander Magazine, and was long listed in the Fish Short Story Prize. She has been an expert guest on radio programs as well as on NBC, FOX and CBS television in top markets nationally. An active member of The Academy of American Poets, a patron of the Irish Arts Center in New York, she recently founded the Deborah Henry Scholarship Fund for the Abroad Writers Conference in Dublin. She has traveled extensively in Ireland, and divides her time between New York and New England. She is currently working on a book to film project as well as completing her second novel.

 

ELLE MORGAN

Elle Morgan, is an adjunct faculty instructor at Pennsylvania State University. She teaches Civic Engagement and Public Speaking. She is also a certified IMMC Yoga instructor.

Elle is the creator and director of The Elements of New Life Scripts, a one of a kind personal development program which focuses on stress reduction through mindfulness, work/home balance, and life purpose as a guiding principle. Using theatre as the medium, people can change their paradigms by changing their life scripts and acting out the stories we tell ourselves and others.

With a background in theatre and public speaking, Elle is unique in the field, bringing a special expressiveness to the arena of self-help. Through her groundbreaking Yoga of Public Speaking video series, she synthesizes ancient wisdom with current theories in neuroscience and positive psychology to provide a program that meets everyone’s need for comfort and joy.

New Life Scripts was developed at Diakon Wilderness Center where Elle served as a counselor for adjudicated youth. She currently provides rehabilitative re-entry programs to prisons. While in Ireland, she will be giving a workshop at Wheatfield Prison, Dublin for 11 incarcerated men.

Her book, The Elements of New Life Scripts–a Retreat Guide is available on Amazon.Information on Destination retreats, retreat-in-a-box, and “You the Movie self discovery party game are all on her website, NewlLifeScripts.com.

 

August 10th

PRIM BOOKSTORE

5:00 – 6:00

CLARIE KEEGAN

Born in County Wicklow in 1968, she is the youngest of a large Roman Catholic family. She travelled to New Orleans, Louisiana when she was seventeen and studied English and Political Science at Loyola University. She returned to Ireland in 1992 and later lived for a year in Cardiff, Wales, where she undertook an MA in creative writing and taught undergraduates at the University of Wales.
Her first collection of short stories was Antarctica (1999). Her second collection of stories, Walk the Blue Fields, was published in 2007. September 2010 brought the publication of the ‘long, short story’ “Foster”. American writer Richard Ford, who selected “Foster” as winner of the Davy Byrnes Irish Writing Award 2009, wrote in the winning citation of Keegan’s “thrilling” instinct for the right words and her “patient attention to life’s vast consequence and finality”.

Keegan has won the inaugural William Trevor Prize, the Rooney Prize for Irish Literature, the Olive Cook Award and the Davy Byrnes Irish Writing Award 2009. Other awards include The Hugh Leonard Bursary, The Macaulay Fellowship, The Martin Healy Prize, The Kilkenny Prize and The Tom Gallon Award. Twice was Keegan the recipient of the Francis MacManus Award. She was also a Wingate Scholar. She was a visiting professor at Villanova University in 2008. She is a member of Aosdána.

1999 – Antarctica
2007 – Walk the Blue Fields
2010 – “Foster”

Revived Kinsale Schedule

KINSALE, IRELAND

We’re so excited about holding our next event in Kinsale, Ireland, August 4th – 11th. This is going to be a true gourmet adventure. Great authors, wonderful food, stimulating discussions in a surrounding of absolute beauty.

In 2014, Kinsale was selected as the Prettiest Small Town in Ireland. Originally a medieval fishing port, historic Kinsale in County Cork, Ireland is one of the most picturesque, popular and historic towns on the south west coast of Ireland. It has been hailed as the Gourmet Capital of Ireland, with no shortage of pubs, cafes, and restaurants. Kinsale is still a fishing village. Located some 25 km (18 m) south of Cork City on the coast near the Old Head of Kinsale, it sits at the mouth of the River Bandon and has a population of more than 2000. Kinsale is a popular holiday resort for Irish and foreign tourists.

When you’re not busy in workshops, there’s so many things to do in Kinsale, on and off the water. From historical walking tours, castles, forts, galleries and shops, arts & crafts, golf and the recently launched Kinsale Gourmet Academy – you’ll never be bored in Kinsale! With three marinas, a yacht club, two outdoor activity centres, boat and yacht hire, harbour cruises, beaches, sailing, kayaking, fishing and scuba diving there is so much to see and do in this busy harbour town.

Participants will be staying at a lovely boutique hotel collection, the Blue Haven, located in the heart of town. It consist of two hotels and three restaurants. The antique Georgian townhouse, the Old Bank House is part of the Blue Haven collection. Every bedroom is uniquely decorated.

Wake-up every morning to a fabulous breakfast buffet plus your choice of a full Irish breakfast, eggs benedict, eggs florentine or a selection of omelettes. All the pastries, scones and breads are freshly made daily in-house.

 


CONNIE MAY FOWLER – Three time finalist for the Dublin Int. Literary Award

SARAH GRISTWOOD – Bestselling British Historian

DEBORAH HENRY – Oprah’s Summer favorite

CLAIRE KEEGAN – Trevor Prize, Rooney Prize and Davy Byrnes for Irish Literature

JACQUELINE MITCHARD – NY TIMES Bestselling author

MICHELE ROBERTS – Man Booker Prize finalist

IRISH & International GUEST AUTHORS giving readings:

JOHN BANVILLE –Tentative–Booker Prize winner

BILLY O’CALLAGHAN — Costa Short Story Award finalist

DEREK MALCOLM — Renown Film & Theatre Critique

AUTHORS

CONNIE MAY FOWLER –FULL MANUSCRIPT Edit & Critique

Connie May Fowler is an award-winning novelist, memoirist, screenwriter, and teacher. Her most recent book, A Million Fragile Bones, is a memoir that details her experience during the Gulf oil spill and explores the close ties between place, spirituality, family, and environmental devastation. It will be published by Twisted Road Publications in 2017.

Connie is the author of seven other books: six critically praised novels and one memoir. Her novels include How Clarissa Burden Learned to Fly, Sugar Cage, River of Hidden Dreams, The Problem with Murmur Lee, Remembering Blue—recipient of the Chautauqua South Literary Award—and Before Women had Wings—recipient of the 1996 Southern Book Critics Circle Award and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. Connie adapted Before Women had Wings for Oprah Winfrey. The result was an Emmy-winning film starring Ms. Winfrey and Ellen Barkin.

In 2002 she published When Katie Wakes, a memoir that explores her descent and escape from an abusive relationship.

Her work has been translated into 18 languages and is published worldwide. Her essays have been published in the New York Times, London Times, International Herald Tribune, Japan Times, Oxford American, BestLife, and elsewhere. For two years she wrote “Savoring Florida,” a culinary and culture column for FORUM, a publication of the Florida Humanities Council.

In 2007, Connie performed in New York City at The Player’s Club with actresses Kathleen Chalfont, Penny Fuller, and others in an adaptation based on The Other Woman, an anthology that contains her essay “The Uterine Blues.” In 2003, Connie performed in The Vagina Monologues alongside Jane Fonda and Rosie Perez in a production that raised over $100,000 for charity.

Domestic violence shelters and family violence organizations have honored her with numerous awards. Throughout the 1990s she directed the Connie May Fowler Women with Wings Foundation, an organization that was dedicated to aiding women and children in need. In 2009, she received the first annual Peace, Love, and Understanding Award from WMNF Community Radio.

She teaches at the Vermont College of Fine Arts low residency creative writing MFA program and directs the College’s VCFA Novel Retreat held each May in Montpelier, Vermont. Connie, along with her husband Bill Hinson, is founder and director of the newly minted Yucatan Writing Conference. For ten years, she directed various writing conferences in Florida, including the prestigious St. Augustine Writers Conference, which she recently closed in order to concentrate her efforts in the Yucatan. She and Bill reside in Cozumel, Florida, and Vermont with their two dogs, Ulysses and Pablo Neruda, and Catalina The Cat.

SARAH GRISTWOOD – Historical Fiction & Non fiction

After leaving Oxford, Sarah Gristwood began work as a journalist, writing at first about the theatre as well as general features on everything from gun control to Giorgio Armani. But increasingly she found herself specialising in film interviews – Johnny Depp and Robert De Niro; Martin Scorsese and Paul McCartney. She has appeared in most of the UK’s leading newspapers – The Times, the Guardian, the Telegraph (Daily and Sunday) – and magazines from Sight and Sound to The New Statesman.

Turning to history she wrote two bestselling Tudor biographies, Arbella: England’s Lost Queen and Elizabeth and Leicester; and the eighteenth century story Bird of Paradise: The colourful career of the first Mrs Robinson which was selected as Radio 4 Book of the Week. She also published a book on iconic dresses, Fabulous Frocks (with Jane Eastoe); and a 50th anniversary companion to the film Breakfast at Tiffany’s, as well as co-authoring The Ring and the Crown, a book on the history of royal weddings. Her most recent non-fiction books are Game of Queens: The Women Who Made Sixteenth-Century Europe (2016) Blood Sisters: the Women Behind the Wars of the Roses (2012) and The Story of Beatrix Potter (2016). She has also published a historical novel, The Girl in the Mirror.

A regular media commentator on royal and historical affairs, Sarah was one of the team providing Radio 4’s live coverage of the royal wedding; and has since spoken on royal and historical stories from the royal babies to the reburial of Richard III for Sky News, Woman’s Hour, BBC World, Radio 5 Live, and CBC. She has contributed to a number of television documentary series on cinema and fashion, as well as on history and the monarchy. Shortlisted for both the Marsh Biography Award and the Ben Pimlott Prize for Political Writing, she is a Fellow of the RSA, and an Honorary Patron of Historic Royal Palaces.

DEBORAH HENRY – Connecting With Your Readers

Deborah Henry attended American College in Paris and graduated cum laude from Boston University with a minor in French language and literature. She received her MFA at Fairfield University. She is an active member of The Academy of American Poets, a Board member of Cavankerry Press and a patron of the Irish Arts Center in New York.

Curious about the duality of her own Jewish/Irish heritage, Henry was inspired to examine the territory of interfaith marriage and in so doing was led to the subject of the Irish Industrial School system. She has traveled to Ireland where she has done extensive research and interviews, including those with Mary Raftery (States of Fear documentary filmmaker and co-author of Suffer the Little Children) and Mike Milotte (award-winning journalist), as well as first-hand reports from the survivors of the Magdalene Laundries, Mother Baby Homes, Orphanages and the Industrial Schools.

Her first short story was published by The Copperfield Review, was a historical fiction finalist for Solander Magazine of The Historical Novel Society and was longlisted in the 2009/10 Fish Short Story Prize.

THE WHIPPING CLUB is her first novel. She is currently at work on her next book.

CLAIRE KEEGAN (born 1968) is an Irish short stories writer. She was born in County Wicklow in 1968, the youngest of a large Roman Catholic family. She travelled to New Orleans, Louisiana when she was seventeen and studied English and Political Science at Loyola University. She returned to Ireland in 1992 and lived for a year in Cardiff, Wales, where she undertook an MA in creative writing and taught undergraduates at the University of Wales. Her first collection of short stories was Antarctica (1999). Her second collection of stories is Walk the Blue Fields (2007). Her latest publication is Foster which at over 120 pages she describes as a long short story and which we will be launching at the festival. She has won the William Trevor Prize, the Rooney Prize for Irish Literature, the Olive Cook Award and the Davy Byrnes Irish Writing Award 2009. Other awards include The Hugh Leonard Bursary, The Macaulay Fellowship, The Martin Healy Prize, The Kilkenny Prize and The Tom Gallon Award. Twice was Keegan the recipient of the Francis MacManus Award. She was also a Wingate Scholar. The American writer Richard Ford, who selected her short story Foster as winner of the Davy Byrnes Irish Writing Award 2009, wrote in the winning citation of Keegan’s “thrilling” instinct for the right words and her “patient attention to life’s vast consequence and finality”.

DEREK MALCOLM born in 1932 and was educated at Eton and Merton College, Oxford, having been sent to various boarding schools from the age of four. On leaving university, where he studied history, he attempted to get into publishing but couldn’t get a job and instead became an amateur steeplechase rider, winning 13 races over three seasons before trying a professional acting career in the theatre. Later, he became a journalist, being engaged as a show biz correspondent by the Daily Sketch. From there he went to Cheltenham and worked for the Gloucestershire Echo as general reporter and theatre critic.

In the late fifties, he went to The Guardian in Manchester as an arts page sub-editor under Brian Redhead. A few years later, he moved to The Guardian in London, again as arts sub-editor and was eventually made deputy drama critic to Philip Hope-Wallace, then deputy film critic to Richard Roud. When The Guardian started horse racing, he became the first racing correspondent of the paper until appointed film critic in the early sixties. He remained film critic for over 25 years until his enforced retirement at 65.

A few years later he succeeded Alexander Walker as film critic of the Evening Standard. Earlier this year, he left regular reviewing to become the Standard‘s critic at film festivals. During his time at The Guardian, he won the IPC Critic of the Year title, directed the London Film Festival, became a Governor of the BFI, President of the International Association of Film Critics (Fipresci) and President of the British Federation of Film Societies. He has also served on juries at the three main European Festivals in Berlin, Cannes and Venice, as well as at the Moscow, Istanbul, Goa, Singapore, Chicago, Dinard and Rio Festivals.

He has written three books — Robert Mitchum, 100 Years of Cinema and Family Secrets. The last was a personal memory of his father’s marriage to his mother and the famous case during the First World War during which his father was accused at the Old Bailey of shooting his wife’s lover. In 2001 he was named by an American film trade paper as one of the six most influential film critics in the world.

Outside the world of film, he has been a keen cricketer, tennis and squash player, and was Captain of The Guardian cricket team for some years, touring India, Sri Lanka and California with the team.

JACQUELINE MITCHARD will be returning. She’ll be teaching her extremely successful workshop, FULL MANUSCRIPT EDIT & CRITIQUE. This workshop fills-up rapidly since she only accepts 6 participants.

Jacqueline is a New York Times Bestselling Author, was short-listed for the Orange Prize for Fiction, winner, The Bram Stoker and Shirley Jackson Aware, nominated two times for Pulitzer Prize for Commentary, Anne Powers Award for Fiction, New York Times notable books, Banks Street Notable Books, Bluebonnet Prize

Jacqueline has published 13 Bestselling novels, 7 Young Adult books, 4 Children Books and numerous articles in journals in newspapers.

MICHELE ROBERTS, BOOKER FINALIST – Fiction

Michèle Roberts is the author of twelve highly acclaimed novels, including The Looking Glass and Daughters of the House which won the WHSmith Literary Award and was shortlisted for the Booker Prize. Her memoir Paper Houses was BBC Radio 4’s Book of the Week in June 2007. She has also published poetry and short stories, most recently collected in Mud- stories of sex and love (2010). Half-English and half-French, Michèle Roberts lives in London and in the Mayenne, France. She is Emeritus Professor of Creative Writing at the University of East Anglia.

 

DAILY SCHEDULE

AUGUST 4TH

Arrival

Morning workshops will begin at 8:00 – 12:00

Secret Garden at Blue Haven, Connie May Fowler

Beach House, Gazebo —   Sarah Gristwood/Historical Fiction & Non-Fiction–I will be picking up Sarah’s participants at 7:50 am. Please be on time. Otherwise, you’ll have to take a taxi.

Afternoon Workshop 12:30 – 4:30

Secret Garden at Blue Haven, Michele Roberts

5:00 – 7:00

Readings at Prim’s Bookstore in Kinsale

Welcome Dinner Party at LEMON LEAF in Kinsale

~

AUGUST 5TH

Breakfast 7:30 – 10:30

Morning Workshops 8:00 – 12:00

Secret Garden at Blue Haven, Connie May Fowler

Beach House, Gazebo — Sarah Gristwood/Historical Fiction & Non-Fiction–I will be picking up Sarah’s participants at 7:50 am. Please be on time. Otherwise, you’ll have to take a taxi.

Afternoon Workshop 12:30 – 4:30

Secret Garden at Blue Haven, Michele Roberts

5:00 – 6:00

Readings at Prim’s Bookstore in Kinsale

Dinner at Beach House

~

AUGUST 6TH

Breakfast 7:30 – 10:30

Morning Workshops 8:00 – 12:00

Secret Garden at Blue Haven,  Connie May Fowler

Beach House, Gazebo,  Deb Henry–I will be picking up Deb’s participants at 7:50 am. Please be on time. Otherwise, you’ll have to take a taxi.

Afternoon Workshop 12:30 – 4:30

Secret Garden at Blue Haven, Michele Roberts/Fiction

5:00 – 6:00

Readings at Prim’s Bookstore in Kinsale

Harbor Cruise 6:00 – 7:00

Dinner free night out

~

AUGUST 7TH

Breakfast 7:30 – 10:30

Morning Workshop 8:00 – 12:00

Secret Garden at Blue Haven, Jacquelyn Mitchard

Afternoon Workshop 12:30 – 4:30

Secret Garden at Blue Haven, Deb Henry

5:00 – 6:00

Readings at Prim’s Bookstore in Kinsale

Dinner at the Beach House

~

AUGUST 8TH

Breakfast 7:30 – 10:30

Morning Workshop 8:00 – 12:00

Secret Garden Jacquelyn Mitchard

Afternoon Workshop 12:30 – 4:30

Secret Garden, Claire Keegan/Intensive workshop

 5:00 – 6:00

Prim’s Bookstore in Kinsale

Dinner – Free night out

~

AUGUST 9TH

Breakfast 7:30 – 10:30

Morning Workshop 8:00 – 12:00

Secret Garden at Blue Haven, Jacquelyn Mitchard

Afternoon Workshop 12:30 – 4:30

Secret Garden at Blue Haven, Claire Keegan

5:00 – 6:00

Readings at Prim’s Bookstore in Kinsale

Dinner at Beach House

~

AUGUST 10TH

Breakfast 7:30 – 10:30

Morning Workshops 8:00 – 12:00

Secret Garden at Blue Haven, Jacquelyn Mitchard

Afternoon Workshops 12:30 – 4:30

Secret Garden at Blue Haven, Claire Keegan

 5:00 – 6:00

Readings at Prim’s Bookstore in Kinsale

Farewell dinner at Lemon Leaf 

~

AUGUST 11TH

Breakfast 7:30 – 10:30

Departure 10:30

Price

Package Price

$2,600 Shared Twin Room – includes full breakfast, 5 dinners, workshops and readings

$3,600 Single – you’re welcome to bring a companion for a fee of $300 – includes full breakfast, 5 dinners, workshops and readings

Price without hotel room

$1,500 – only includes workshops and readings

$350 –5 Dinners with Wine

WORKSHOP DESCRIPTION

~

SARAH GRISTWOOD – HISTORICAL NON-FICTION & FICTION

This workshop is about, exploring the ground between historical fact and historical fiction, is led by Sarah Gristwood who has worked widely in both fields. For many years a film journalist (working for the ‘Guardian’ and ‘The Times’ among others), she is now a bestselling Tudor and royal historian, with half a dozen biographies and two historical novels to her name.

The workshop, at once practical and theoretical, will explore questions such as:
– the use of historical research in historical fiction
– the way fiction bleeds into historical fact
– new forms in historical narrative
– the creation of a saleable narrative from the messy world of history.’

~

DEBORAH HENRY – Connecting With Your Readers

We will discuss in three part sections the myriad ways we can find our niche and connect with our readers in the digital age.

Part One: Four to Six months before publication date.

Part Two: Before and After Launch Date.

Part Three: After initial launch and onward – How to build a wider audience.

Throughout the three segments, we will have Q & A which will be organic to the flow of discussion as we share the journey — including utilizing traditional and social media skills to land an agent, an editor, a publisher, blurbs and much more as well as how to build a global writing community with ever increasing innovative marketing models.

~

CLAIRE KEEGAN – 3,000 WORD MANUSCRIPT OR SHORT-STORY EDIT

Claire Keegan, internationally acclaimed author and teacher of creative writing, will run a three day fiction workshop. This three day workshop will concentrate on works-in-progress submitted by the participants.

Keegan will spend between 3-5 hours on each text before the workshop begins, and will then examine and discuss every text with the group during the weekend.

Discussion will concentrate on structure of a narrative, paragraph structure, time, tension, drama, melodrama, statement,description, suggestion, conflict, character, humour, point of view, place, time and setting.

The aim, always, is to help each author with the next draft. The workshop will be of particular interest to those who write, teach, read or edit fiction — but anyone with an interest in how fiction works,improving their prose and/or helping others to do so, is welcome to attend. While most participants like to submit a manuscript, this is not a requirement.

~

JACQUELYN MITCHARD -Full Manuscript Edit & Critique

LIMITED to six students, #1 New York Times Bestselling author Jacquelyn Mitchard will host a full-manuscript intensive critique. Each student will receive advance digital copies of the other writers’ manuscripts and, at Lismore Castle, Mitchard will lead a full half-day session on each completed book of fiction or creative non-fiction. Admission to this class is based on individual manuscript potential, and application must be made well in advance of the conference in order to assure that the extra demands of a full-book seminar can be met. Mitchard also will provide a written critique with editing and revision suggestions to each participant. Contact conference organizer Nancy Gerbault for guidelines and specifics.

This is an intensive workshop. Plan on only taking this workshop along with a second workshop at the end of the week.

~

MICHELE ROBERTS – Fiction

One of the pieces of advice I offer in the morning workshop to students tackling writer’s block is to have something delicious to eat. Another tip is to practise automatic writing. Given a phrase, you then write non-stop for three minutes, whatever comes up, without censoring. A good way to get the juices flowing is to begin with “I hate” or “I am disgusted by . . .” Hate and disgust are helpful energies and provoke original writing.”

None of us gets nostalgic about school dinners, do we? From primary school, I remember fatty mutton in greasy gravy. Rice pudding, tapioca pudding, semolina pudding, macaroni in warmish sweetened milk. Slimy and disgusting. At secondary school, a convent, the nuns’ speciality was carrots boiled to a pulp, tasting of soap. Slimy. Or spinach, bitter and sour and, yes, slimy. Too close in texture and appearance to spit and sick, to all those bodily wastes we shun, which the feminist author Julia Kristeva calls “the abject”. Giving an abstract name to wanting to throw up helps keep it at bay. Kristeva refers somewhere to “those currents of bodily feeling we call emotion”. In the writing workshop, we begin by translating abstract words like bliss and desire and contentment into sensual, physical images.

 

 

READING SCHEDULE

August 4th

PRIM BOOKSTORE

5:00 – 7:00

SARAH GRISTWOOD

After leaving Oxford, Sarah Gristwood began work as a journalist, writing at first about the theatre as well as general features on everything from gun control to Giorgio Armani. But increasingly she found herself specialising in film interviews – Johnny Depp and Robert De Niro; Martin Scorsese and Paul McCartney. She has appeared in most of the UK’s leading newspapers – The Times, the Guardian, the Telegraph (Daily and Sunday) – and magazines from Sight and Sound to The New Statesman.

Turning to history she wrote two bestselling Tudor biographies, Arbella: England’s Lost Queen and Elizabeth and Leicester; and the eighteenth century story Bird of Paradise: The colourful career of the first Mrs Robinson which was selected as Radio 4 Book of the Week. She also published a book on iconic dresses, Fabulous Frocks (with Jane Eastoe); and a 50th anniversary companion to the film Breakfast at Tiffany’s, as well as co-authoring The Ring and the Crown, a book on the history of royal weddings. Her most recent non-fiction books are Game of Queens: The Women Who Made Sixteenth-Century Europe (2016) Blood Sisters: the Women Behind the Wars of the Roses (2012) and The Story of Beatrix Potter (2016). She has also published a historical novel, The Girl in the Mirror.

A regular media commentator on royal and historical affairs, Sarah was one of the team providing Radio 4’s live coverage of the royal wedding; and has since spoken on royal and historical stories from the royal babies to the reburial of Richard III for Sky News, Woman’s Hour, BBC World, Radio 5 Live, and CBC. She has contributed to a number of television documentary series on cinema and fashion, as well as on history and the monarchy. Shortlisted for both the Marsh Biography Award and the Ben Pimlott Prize for Political Writing, she is a Fellow of the RSA, and an Honorary Patron of Historic Royal Palaces.

DEREK MALCOLM

Malcolm was educated at Eton College and Merton College, Oxford. He worked for several decades as a film critic for The Guardian, having previously been an amateur jockey and the paper’s first horse racing correspondent. In 1977, he was a member of the jury at the 27th Berlin International Film Festival. In the mid-1980s he was host of The Film Club on BBC2, which was dedicated to art house films, and was director of the London Film Festival for several years.
After leaving The Guardian in 2000, he published his final series of articles, The Century of Films, in which he discusses films he admires from his favourite directors from around the world. After The Guardian he became chief film critic for the Evening Standard, before being replaced in 2009 by novelist Andrew O’Hagan. He still contributes film reviews for the newspaper, but it emerged in July 2013 that his contribution to the title was to be reduced further.[5]
In 2008 he was a member of the jury at the 30th Moscow International Film Festival.
Malcolm is president of the British Federation of Film Societies and the International Film Critics’ Circle. In 2003 he published an autobiographical book, Family Secrets, which recounts how in 1917 his father shot his mother’s lover dead, but was found not guilty of murder.

August 5th

PRIM BOOKSTORE
5:00 – 6:00

BILLY O’CALLAGHAN

Billy O’Callaghan was born in Cork in 1974, and grew up in Douglas village, where he still lives. His first collection of short stories, In Exile, was published by Mercier Press in 2008. This was followed a year later by a second collection, In Too Deep (also published by Mercier Press).[5][6] Then, in 2013, his third collection, The Things We Lose, The Things We Leave Behind, was published by New Island Books. It earned him a 2013 Bord Gáis Energy Irish Book Award.

O’Callaghan’s short stories have been published in: Absinthe: New European Writing, Alfred Hitchcock Mystery Magazine, the Bellevue Literary Review, Bliza, Confrontation, The Fiddlehead, Hayden’s Ferry Review, the Kenyon Review, the Kyoto Journal, the London Magazine, the Los Angeles Review, Narrative Magazine, the Southeast Review, Southword, Underground Voices, Versal, and Yuan Yang: a Journal of Hong Kong and International Writing, and many other literary journals and magazines around the world. His stories have also been translated into Polish and Turkish, and have been broadcast on RTÉ Radio 1’s The Book On One,[9] Sunday Miscellany and the Francis McManus Award series.

O’Callaghan compiled a non-fiction book, Learning from the Greats: Lessons on Writing, from the Great Writers, which was published in 2014 by Cork City Libraries as part of their Occasional Series. He also regularly reviews books for the Irish Examiner.

In March 2016, it was announced that O’Callaghan’s first novel, The Dead House, would be released by Brandon Books in Spring 2017.

A novella, A Death In The Family, has been announced as a Ploughshares Solo, forthcoming in 2017.

In November 2013, the title story of O’Callaghan’s most recent collection, The Things We Lose, The Things We Leave Behind won the inaugural Short Story of the Year Award at the 2013 Bord Gáis Energy Irish Book Award. In January 2017, he was awarded second place for the Costa Short Story Award 2016 for his story The Boatman.

Listed among his other honours are The Molly Keane Creative Writing Award, the George A. Birmingham Award, and Bursaries for Literature from the Arts Council of Ireland and the Cork County Council. He has also been shortlisted for many other awards both in Ireland and abroad, including the Seán Ó Faoláin Award, the Glimmer Train Prize, the Faulkner-Wisdom Prize and – on four occasions – the RTÉ/P.J. O’Connor Radio Drama Award. In addition, one of his stories was selected, in 2014, as Ireland’s representative in the ongoing UNESCO Cities of Literature project.

“I know of no writer on either side of the Atlantic who is better at exploring the human spirit under assault than Billy O’Callaghan. The stories in The Things We Lose, the Things We Leave Behind are at once harrowing and uplifting, achingly sad and surpassingly beautiful. O’Callaghan is a treasure of the English language.”

— Robert Olen Butler, author of the Pulitzer Prize-winning A Good Scent from a Strange Mountain,
“The elegant force of Billy O’Callaghan’s prose is immediate and impossible to recover from. He is one of Ireland’s finest short story writers.”

— Simon Van Booy, Frank O’Connor Award-winning author of Love Begins in Winter,
Short story collections[edit]
In Exile (2008)
In Too Deep (2009)
The Things We Lose, The Things We Leave Behind (2013)
Non-fiction[edit]
Learning from the Greats: Lessons on Writing, from the Great Writers (2014)

August 6th

PRIM BOOKSTORE

5:00 – 6:00

MICHELE ROBERTS

Michele was born in 1949, twenty minutes after my twin sister Marguerite, to a French mother and an English father. She grew up in Edgware, a suburb of north-west London. She attended two local convent schools. Summer holidays were spent at the house of our French grandparents in Normandy, near Etretat in the Pays de Caux.

Michele read for a B.A. in English Language and Literature at Somerville, Oxford. In those days this was a women’s college: the majority of Oxford colleges did not accept women. Next, she spent two years studying to become a librarian. She knew that she wanted to write but knew, too, how important it was to be able to support herself. She spent a year working for the British Council in South-East Asia. The Vietnam War was devastating the area. She gave up her job and went travelling instead.

After this she gave up any idea of working as a librarian and began earning my living from a variety of part-time jobs. Often she wrote at night. She got involved in a writers’ group, writing short stories, and worked on my first novel, A Piece of the Night, which came out in 1978. It’s always been important her to be financially independent, and she worked as a hospital cleaner, temp secretary, clerk, teacher, journalist, reviewer and critic.

Life as a writer was very hard at first. Still, a chosen poverty is easier to bear than the enforced sort. When Daughters of the House was shortlisted for the Booker Prize in 1992 and won the W.H.Smith Literary Award in 1993, Michele started making more money, and could finally give up the part-time jobs.

Michele lived in many different places, including Italy and North America, but at the age of forty-four I bought her first home: a small house in France. At the moment she lived in both France and England, moving back and forth between the two, and also spend some time at the University of East Anglia, where she’s currently Emeritus Professor of Creative Writing.

Recently she turned down an O.B.E. because she’s a republican, but she was honoured to be made a Chevalier de l’Ordre des Arts et des Lettres by the French government. Michele a Fellow of the Royal Society of Literature and a member of PEN and The Society of Authors. As well as writing, she serves as a judge for literary prizes, have presented radio arts programmes such as Night Waves, have chaired the British Council’s Literature Advisory Committee, and have travelled abroad extensively with other writers on tours organised by the British Council.

Essays
Food, Sex & God: on Inspiration and Writing, 1988, Virago Press
Novels
A Piece of the Night, 1978, Women’s Press
The Visitation, 1978, Women’s Press
The Wild Girl (Also known as The Secret Gospel of Mary Magdalene), 1984, Methuen
The Book of Mrs Noah, 1987, Methuen
In the Red Kitchen, 1990, Methuen
Psyche and the Hurricane, 1991, Methuen
Daughters of the House, 1992, Virago and Morrow (USA)
During Mother’s Absence, 1992, Virago
Flesh & Blood, 1994, Virago
Impossible Saints. Hopewell, 1998, Ecco Press
Fair Exchange, 1999, Little, Brown
The Looking Glass, 2000, Little, Brown
The Mistressclass, 2002, Little, Brown
Reader, I Married Him, 2006, Little, Brown
Ignorance, 2012, Bloomsbury Publishing [6]
Poetry
Touch Papers: Three Women Poets (with Michelene Wandor and Judith Kazantzis), 1982, Allison and Busby
The Mirror of the Mother, 1986, Methuen
Psyche and the Hurricane , 1991, Methuen
All the Selves I Was, 1995, Virago
Short stories
Your Shoes, 1991
During Mother’s Absence, 1993, Virago
Playing Sardines, 2001, Virago
Mud: Stories of Sex and Love, 2010, Virago
Memoir
Paper Houses: A Memoir of the 70s and Beyond, 2007, Virago, ISBN 978-1844084074; paperback 2008, ISBN 978-1844084081

August 7th

PRIM BOOKSTORE

5:00 – 6:00

JACQUELYN MITCHARD

Born and raised in a suburb of Chicago, Illinois, Mitchard’s father was a plumber, from Newfoundland, Canada, and her mother a hardware store clerk, a competitive horsewoman, and a member of the Lac du Flambeau Chippewa Cree tribe. She studied creative writing for three semesters under Mark Costello (author of The Murphy Stories) at the University of Illinois at Urbana-Champaign.
She became a newspaper reporter in 1979, eventually achieving a position as lifestyle columnist for the Milwaukee Journal Sentinel newspaper. Her weekly column, The Rest of Us: Dispatches from the Mother Ship, appeared in 125 newspapers nationwide until she retired it in 2007. Mitchard is a contributing editor for More (magazine) and is featured regularly in Reader’s Digest, Good Housekeeping, Hallmark, Real Simple and other publications. Her nonfiction work includes the 1986 memoir ‘Mother Less Child’ (WW Norton) and essays in more than 30 anthologies.
Mitchard married Dan Allegretti, a reporter for The Capital Times, and the couple had three children (Robert, Daniel, and Martin). Dan also had a daughter, Jocelyn, from a previous marriage. After 13 years of marriage, Allegretti died of cancer at the age of 45 in 1993.
After the death of Allegretti, while working freelance for the Milwaukee Journal Sentinel and a part-time public relations position at the University of Wisconsin–Madison, she started writing her first novel, The Deep End of the Ocean.[5] The idea for the story had come to her in a dream in the summer of 1993.[6] She is an alum and distinguished fellow of the Ragdale Foundation, an artist’s colony in Lake Forest, Illinois, where she went to write the first two chapters on the encouragement of author Jane Hamilton.[5] After finishing the first six chapters, 70 pages, she received a contract with Viking Press in December 1994, for that book and a second one to be written later (The Most Wanted).
Bolstered by being featured by Oprah, the novel sold close to 3 million copies by May 1998. It has been Mitchard’s only #1 New York Times Bestseller, on the list for 29 weeks, including 13 weeks at number 1. The book had originally reached number 14, but after being selected by Winfrey, sales jumped. The paperback would spend 16 weeks on the list. The film rights were sold to Mandalay Entertainment, and the story later became a feature film starring Michelle Pfeiffer.
But all of her other novels have been bestsellers as well as garnering critical acclaim—particularly for The Most Wanted, Cage of Stars and The Breakdown Lane. The Most Wanted was nominated for Britain’s Orange Prize for Fiction and Cage of Stars for Britain’s Spread The Word Prize.
In 2004 Mitchard published her first book for children and young adults. Her first children’s picture book, Baby Bat’s Lullaby, appeared in 2004 from HarperChildren’s. Her two middle-grade novels, also published by HarperChildren’s, Starring Prima!: The Mouse of the Ballet Jolie, and Rosalie, My Rosalie: The Tale of a Duckling appeared in 2004 and 2005. Her second children’s picture book, Ready, Set , School!, appeared in 2007.
Now You See Her, Mitchard’s first Young Adult novel, was published in 2007 by HarperTeen. All We Know of Heaven (HarperTeen) appeared in spring 2008, and the first in a series of Young Adult mysteries, The Midnight Twins (Razorbill/Penguin), based on the bewildering clairvoyant gift of twins Mallory and Meredith Brynn, debuted in summer 2008.

For adults
Non-fiction/biography:
1985: Mother Less Child — (W.W. Norton & Co.)
Fiction:
1996: The Deep End of the Ocean — (Viking Press)
1998: The Most Wanted — (Viking Press)
2001: A Theory of Relativity — (HarperCollins)
2003: Christmas, Present — (HarperCollins)
2003: Twelve Times Blessed — (HarperCollins)
2005: The Breakdown Lane — (HarperCollins)
2006: Cage of Stars — (Warner Books; ISBN 978-0-446-57875-2)
2007: Still Summer — (Warner Books; ISBN 978-0-446-57876-9)
2009: No Time to Wave Goodbye — (Random House; ISBN 978-1-4000-6774-9)
2011: Second Nature: A Love Story – (Random House; ISBN 978-1-4000-6775-6)
2016: Two if by Sea : A Novel – (Simon & Schuster; ISBN 978-1-5011-1557-8)
For young adults
Non-Fiction/biography:
1992: Jane Addams: Pioneer in Social Reform and Activist for World Peace — (Gareth Stevens Children’s Books)
Fiction:
2007: Now You See Her — (HarperCollins)
2008: All We Know of Heaven — (HarperTeen)
2008: The Midnight Twins — (Razorbill)
2009: Look Both Ways — (Razorbill)
2010: Watch For Me By The Moonlight – (Razorbill)
2013: What We Saw at Night – (Soho Teen)
For children
2004: Baby Bat’s Lullaby — (with Julia Noonan; HarperCollins)
2004: Starring Prima!: The Mouse of the Ballet Jolie — (with Tricia Tusa; HarperCollins)
2005: Rosalie, My Rosalie: The Tale of a Duckling — (with John Bendall-Brunello; HarperCollins)
2007: Ready, Set, School! — (with Paul Rátz de Tagyos; HarperCollins)
Essays
Mitchard’s essays have appeared in:
1997: The Rest of Us: Dispatches From the Mother Ship — (Viking Press; ISBN 978-0-670-87662-4)
2005: A Love Like No Other: Stories from Adoptive Parents, edited by Pamela Kruger and Jill Smolowe (Riverhead)
2006: My Father Married Your Mother, edited by Anne Burt (W.W. Norton)
2007: Mr. Wrong: Real Life Stories About Men We Used to Love, edited by Harriet Brown (Ballantine)
2007: Choice: True Stories of Birth, Contraception, Infertility, Adoption, Single Parenthood and Abortion, edited by Karen E. Bender and Nina de Gramont (McAdam Cage)
2007: Altared: Bridezillas, Bewilderment, Big Love, Breakups and What Women Really Think About Contemporary Weddings, edited by Collen Curran (Vintage)

August 8th

PRIM BOOKSTORE

5:00 – 6:00

CONNIE MAY FOWLER

CONNIE MAY FOWLER is an award-winning novelist, memoirist, screenwriter, and teacher. Her most recent book, A Million Fragile Bones, is a memoir that details her experience during the Gulf oil spill and explores the close ties between place, spirituality, family, and environmental devastation. It will be published by Twisted Road Publications in 2017.

Connie is the author of seven other books: six critically praised novels and one memoir. Her novels include How Clarissa Burden Learned to Fly, Sugar Cage, River of Hidden Dreams, The Problem with Murmur Lee, Remembering Blue—recipient of the Chautauqua South Literary Award—and Before Women had Wings—recipient of the 1996 Southern Book Critics Circle Award and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. Connie adapted Before Women had Wings for Oprah Winfrey. The result was an Emmy-winning film starring Ms. Winfrey and Ellen Barkin.

In 2002 she published When Katie Wakes, a memoir that explores her descent and escape from an abusive relationship.

Her work has been translated into 18 languages and is published worldwide. Her essays have been published in the New York Times, London Times, International Herald Tribune, Japan Times, Oxford American, BestLife, and elsewhere. For two years she wrote “Savoring Florida,” a culinary and culture column for FORUM, a publication of the Florida Humanities Council.

In 2007, Connie performed in New York City at The Player’s Club with actresses Kathleen Chalfont, Penny Fuller, and others in an adaptation based on The Other Woman, an anthology that contains her essay “The Uterine Blues.” In 2003, Connie performed in The Vagina Monologues alongside Jane Fonda and Rosie Perez in a production that raised over $100,000 for charity.

Domestic violence shelters and family violence organizations have honored her with numerous awards. Throughout the 1990s she directed the Connie May Fowler Women with Wings Foundation, an organization that was dedicated to aiding women and children in need. In 2009, she received the first annual Peace, Love, and Understanding Award from WMNF Community Radio.

She teaches at the Vermont College of Fine Arts low residency creative writing MFA program and directs the College’s VCFA Novel Retreat held each May in Montpelier, Vermont. Connie, along with her husband Bill Hinson, is founder and director of the newly minted Yucatan Writing Conference. For ten years, she directed various writing conferences in Florida, including the prestigious St. Augustine Writers Conference, which she recently closed in order to concentrate her efforts in the Yucatan. She and Bill reside in Cozumel, Florida, and Vermont with their two dogs, Ulysses and Pablo Neruda, and Catalina The Cat.

“We think our palette is words and paper, but it’s not. It’s the sensations and memories that reside in the dark vaults of our hearts.”~~Connie May Fowler

Novels and memoirs
A Million Fragile Bones, 2017;
How Clarissa Burden Learned to Fly, 2010;
The Problem with Murmur Lee, 2005;
When Katie Wakes, 2002;
Remembering Blue, 2000;
Before Women had Wings, 1996;
River of Hidden Dreams, 1994;
Sugar Cage, 1992
Poetry
Two Thing Thing Poets: Steve Sleboda and Connie May, UT Review, Vol. 5, 1977.
“A Soliloquy of a Seven Year Old,” “Crowded Closets,” Ann Arbor Review, Vol. 27, Washtenaw Community College, 1977.
“You Have Created Me,” Goethe’s Notes: A Literary Magazine, Vol. 6, 1978.
“A Purity of Crabs,” “America: The Invitation and Rejection,” “A Celebration of Nothingness,” Outside the Museum: Contemporary Writings — An Anthology, Ann Arbor Review, Vol. 28, Washtenaw Community College, 1978.
“Genetic Lace,” “The Fear,” Open Twenty-four Hours: Collective Consciousness, Vol. 3, 1984.
“Kateland,” “Ybor City Number One,” The Midwest Quarterly, A Journal of Contemporary Thought, Vol. XXIX, Pittsburg State University, 1988.
“Homesick,” Roberts Writing Awards 1988, The H.G. Roberts Foundation, 1988.

August 9th

PRIM BOOKSTORE

5:00 – 6:00

DEBORAH HENRY

Deborah Henry attended American College in Paris and graduated cum laude from Boston University with a minor in French language and literature. She received her MFA at Fairfield University. She is an active member of The Academy of American Poets, a Board member of Cavankerry Press and a patron of the Irish Arts Center in New York.

Curious about the duality of her own Jewish/Irish heritage, Henry was inspired to examine the territory of interfaith marriage and in so doing was led to the subject of the Irish Industrial School system. She has traveled to Ireland where she has done extensive research and interviews, including those with Mary Raftery (States of Fear documentary filmmaker and co-author of Suffer the Little Children) and Mike Milotte (award-winning journalist), as well as first-hand reports from the survivors of the Magdalene Laundries, Mother Baby Homes, Orphanages and the Industrial Schools.

Her first short story was published by The Copperfield Review, was a historical fiction finalist for Solander Magazine of The Historical Novel Society and was longlisted in the 2009/10 Fish Short Story Prize.

THE WHIPPING CLUB is her first novel. She lives in Fairfield, Connecticut with her husband and their three children. She is currently at work on her next book.

August 10th

PRIM BOOKSTORE

5:00 – 6:00

CLARIE KEEGAN

Born in County Wicklow in 1968, she is the youngest of a large Roman Catholic family. She travelled to New Orleans, Louisiana when she was seventeen and studied English and Political Science at Loyola University. She returned to Ireland in 1992 and later lived for a year in Cardiff, Wales, where she undertook an MA in creative writing and taught undergraduates at the University of Wales.
Her first collection of short stories was Antarctica (1999). Her second collection of stories, Walk the Blue Fields, was published in 2007. September 2010 brought the publication of the ‘long, short story’ “Foster”. American writer Richard Ford, who selected “Foster” as winner of the Davy Byrnes Irish Writing Award 2009, wrote in the winning citation of Keegan’s “thrilling” instinct for the right words and her “patient attention to life’s vast consequence and finality”.

Keegan has won the inaugural William Trevor Prize, the Rooney Prize for Irish Literature, the Olive Cook Award and the Davy Byrnes Irish Writing Award 2009. Other awards include The Hugh Leonard Bursary, The Macaulay Fellowship, The Martin Healy Prize, The Kilkenny Prize and The Tom Gallon Award. Twice was Keegan the recipient of the Francis MacManus Award. She was also a Wingate Scholar. She was a visiting professor at Villanova University in 2008. She is a member of Aosdána.

1999 – Antarctica
2007 – Walk the Blue Fields
2010 – “Foster”

Connie May Fowler will be joining us in Kinsale

Connie May Fowler will be joining us in Kinsale, Ireland. Connie will be teaching a Full Manuscript Edit & Critique Workshop.

Connie May Fowler is an award-winning novelist, memoirist, screenwriter, and teacher. Her most recent book, A Million Fragile Bones, is a memoir that details her experience during the Gulf oil spill and explores the close ties between place, spirituality, family, and environmental devastation. It will be published by Twisted Road Publications in 2017.

Connie is the author of seven other books: six critically praised novels and one memoir. Her novels include How Clarissa Burden Learned to Fly, Sugar Cage, River of Hidden Dreams, The Problem with Murmur Lee, Remembering Blue—recipient of the Chautauqua South Literary Award—and Before Women had Wings—recipient of the 1996 Southern Book Critics Circle Award and the Francis Buck Award from the League of American Pen Women. Three of her novels have been Dublin International Literary Award nominees. Connie adapted Before Women had Wings for Oprah Winfrey. The result was an Emmy-winning film starring Ms. Winfrey and Ellen Barkin.

In 2002 she published When Katie Wakes, a memoir that explores her descent and escape from an abusive relationship.

Her work has been translated into 18 languages and is published worldwide. Her essays have been published in the New York Times, London Times, International Herald Tribune, Japan Times, Oxford American, BestLife, and elsewhere. For two years she wrote “Savoring Florida,” a culinary and culture column for FORUM, a publication of the Florida Humanities Council.

In 2007, Connie performed in New York City at The Player’s Club with actresses Kathleen Chalfont, Penny Fuller, and others in an adaptation based on The Other Woman, an anthology that contains her essay “The Uterine Blues.” In 2003, Connie performed in The Vagina Monologues alongside Jane Fonda and Rosie Perez in a production that raised over $100,000 for charity.

Domestic violence shelters and family violence organizations have honored her with numerous awards. Throughout the 1990s she directed the Connie May Fowler Women with Wings Foundation, an organization that was dedicated to aiding women and children in need. In 2009, she received the first annual Peace, Love, and Understanding Award from WMNF Community Radio.

She teaches at the Vermont College of Fine Arts low residency creative writing MFA program and directs the College’s VCFA Novel Retreat held each May in Montpelier, Vermont. Connie, along with her husband Bill Hinson, is founder and director of the newly minted Yucatan Writing Conference. For ten years, she directed various writing conferences in Florida, including the prestigious St. Augustine Writers Conference, which she recently closed in order to concentrate her efforts in the Yucatan. She and Bill reside in Cozumel, Florida, and Vermont with their two dogs, Ulysses and Pablo Neruda, and Catalina The Cat.

August 4th – 11th, KINSALE, IRELAND

 

KINSALE, IRELAND

AUGUST 4TH – 11TH, 2017

It’s official, we have a date, August 4th – 11th. We’re going to Kinsale, Ireland.

In 2014, Kinsale was selected as the Prettiest Small Town in Ireland. Originally a medieval fishing port, historic Kinsale in County Cork, Ireland is one of the most picturesque, popular and historic towns on the south west coast of Ireland. It has been hailed as the Gourmet Capital of Ireland, with no shortage of pubs, cafes, and restaurants. Kinsale is still a fishing village. Located some 25 km (18 m) south of Cork City on the coast near the Old Head of Kinsale, it sits at the mouth of the River Bandon and has a population of more than 2000. Kinsale is a popular holiday resort for Irish and foreign tourists.

We’ll be staying at that the Lovely Georgian hotel, Old Bank House. It’s situated in the center of the town.

Shared twin room: $2,600 includes hotel, buffet breakfast, 5 dinners, workshops and readings. Plus, a harbor boat cruise.

Singles: $3,500 If you’re interested in bringing a non-participating companion it will be $300 extra. includes hotel, buffet breakfast, 5 dinners, workshops and readings. Plus, a harbor boat cruise

I’m still waiting to hear back from several authors. We will have 3 poetry workshops, 2 Fiction/non-fictiion workshops, Historical fiction & nonfiction, Memoir workshop, Travel workshop and more.

AUTHORS

SARAH GRISTWOOD – Historical Fiction & Non fiction

After leaving Oxford, Sarah Gristwood began work as a journalist, writing at first about the theatre as well as general features on everything from gun control to Giorgio Armani. But increasingly she found herself specialising in film interviews – Johnny Depp and Robert De Niro; Martin Scorsese and Paul McCartney. She has appeared in most of the UK’s leading newspapers – The Times, the Guardian, the Telegraph (Daily and Sunday) – and magazines from Sight and Sound to The New Statesman.

Turning to history she wrote two bestselling Tudor biographies, Arbella: England’s Lost Queen and Elizabeth and Leicester; and the eighteenth century story Bird of Paradise: The colourful career of the first Mrs Robinson which was selected as Radio 4 Book of the Week. She also published a book on iconic dresses, Fabulous Frocks (with Jane Eastoe); and a 50th anniversary companion to the film Breakfast at Tiffany’s, as well as co-authoring The Ring and the Crown, a book on the history of royal weddings. Her most recent non-fiction books are Game of Queens: The Women Who Made Sixteenth-Century Europe (2016) Blood Sisters: the Women Behind the Wars of the Roses (2012) and The Story of Beatrix Potter (2016). She has also published a historical novel, The Girl in the Mirror.

A regular media commentator on royal and historical affairs, Sarah was one of the team providing Radio 4’s live coverage of the royal wedding; and has since spoken on royal and historical stories from the royal babies to the reburial of Richard III for Sky News, Woman’s Hour, BBC World, Radio 5 Live, and CBC. She has contributed to a number of television documentary series on cinema and fashion, as well as on history and the monarchy. Shortlisted for both the Marsh Biography Award and the Ben Pimlott Prize for Political Writing, she is a Fellow of the RSA, and an Honorary Patron of Historic Royal Palaces.

 

DEBORAH HENRY – Connecting With Your Readers

Deborah Henry attended American College in Paris and graduated cum laude from Boston University with a minor in French language and literature. She received her MFA at Fairfield University. She is an active member of The Academy of American Poets, a Board member of Cavankerry Press and a patron of the Irish Arts Center in New York.

Curious about the duality of her own Jewish/Irish heritage, Henry was inspired to examine the territory of interfaith marriage and in so doing was led to the subject of the Irish Industrial School system. She has traveled to Ireland where she has done extensive research and interviews, including those with Mary Raftery (States of Fear documentary filmmaker and co-author of Suffer the Little Children) and Mike Milotte (award-winning journalist), as well as first-hand reports from the survivors of the Magdalene Laundries, Mother Baby Homes, Orphanages and the Industrial Schools.

Her first short story was published by The Copperfield Review, was a historical fiction finalist for Solander Magazine of The Historical Novel Society and was longlisted in the 2009/10 Fish Short Story Prize.

THE WHIPPING CLUB is her first novel.  She is currently at work on her next book.

 

JACQUELINE MITCHARD will be returning. She’ll be teaching her extremely successful workshop, FULL MANUSCRIPT EDIT & CRITIQUE. This workshop fills-up rapidly since she only accepts 6 participants. 

Jacqueline is a New York Times Bestselling Author, was short-listed for the Orange Prize for Fiction, winner, The Bram Stoker and Shirley Jackson Aware, nominated two times for Pulitzer Prize for Commentary, Anne Powers Award for Fiction, New York Times notable books, Banks Street Notable Books, Bluebonnet Prize

Jacqueline has published 13 Bestselling novels, 7 Young Adult books, 4 Children Books and numerous articles in journals in newspapers.

JOSIP NOVAKOVICH – Fiction

Novakovich is a recipient of the Whiting Award, a Guggenheim fellowship, two fellowships from the National Endowment of the Arts, panelist of National Endowment of the Arts, an award from the Ingram Merrill Foundation, and an American Book Award from the Before Columbus Foundation. Novakovich was a finalist for The Man Booker International Prize in 2013. He was anthologized in Best American Poetry, Pushcart Prize (three times), and O.Henry Prize Stories. Kirkus Reviews called Novakovich “the best American short stories writer of the decade”.

JACOB POLLEY, 2016 T.S. ELIOT PRIZE WINNER – POETRY

Jacob is an English poet from Carlisle, Cumbria, United Kingdom.

His first four books of poems, all published by Picador, are The Brink (2003), Little Gods (2006), The Havocs (2012), and Jackself (2016). Jackself won the 2016 T. S. Eliot Prize.

He graduated with an MA in Creative Writing from Lancaster University in 1997.

Polley won an Eric Gregory Award, and the BBC Radio 4/Arts Council ‘First Verse’ Award, in 2002. His first book, The Brink (Picador 2003), was a Poetry Book Society Choice, and went on to be shortlisted for the T.S. Eliot Prize, the Forward Prize and the John Llewellyn Rhys prize.

Polley was selected as one of the Next Generation Poets in 2004.

His second book, Little Gods (Picador 2006), was a Poetry Book Society Recommendation.

Jacob Polley’s first novel, Talk of the Town, was published in June 2009 by Picador. The book went on to win the 2010 Somerset Maugham Award and was also shortlisted for the Desmond Elliott Prize.

The Havocs (2012), his third book of poetry, was a Poetry Book Society Recommendation and won the 2012 Geoffrey Faber Memorial Prize. It was also shortlisted for the Forward Prize for Best Collection and for the T.S. Eliot Prize in 2012.

 

MICHELE ROBERTS, BOOKER FINALIST – Fiction 

Michèle Roberts is the author of twelve highly acclaimed novels, including The Looking Glass and Daughters of the House which won the WHSmith Literary Award and was shortlisted for the Booker Prize. Her memoir Paper Houses was BBC Radio 4’s Book of the Week in June 2007. She has also published poetry and short stories, most recently collected in Mud- stories of sex and love (2010). Half-English and half-French, Michèle Roberts lives in London and in the Mayenne, France. She is Emeritus Professor of Creative Writing at the University of East Anglia.

DECLAN RYAN – POETRY

Declan Ryan was born in County Mayo, Ireland. He’s published four pamphlets with Faber and Faber. Declan was included in Faber’s New Poets series. He is poetry editor at Ambit and teaches at King’s College London. He was highly recommended by poet Ruth Patel, one of our instructors. Ruth judges the T. S. Eliot Prize.

GABRIELLE SELZ – Memoir & Biography

Gabrielle Selz is a writer and a live storyteller. Combining her dual passions for words and images, she holds a BA in art history from the University of California, Santa Cruz and an MA in writing from City College of New York. She has worked in commercial television and on the political campaigns of two Greek democratic presidential candidates: Michael Dukakis and Paul Tsongas. She is the recipient of a fellowship in Nonfiction Literature from the New York Foundation for the Arts and a Moth Story Slam winner. She has published in magazines and newspapers including, The New Yorker, The New York Times, More magazine, Los Angeles Times, Fiction, Newsday, and Art Papers. She now writes art reviews for The Huffington Post, and you can read her blog about art and life here.

Unstill Life is her first book. She is currently writing a biography on the American painter, Sam Francis.

 

DELTA WILLIS – Travel Writing 

Delta has published more than 30 articles in Audubon, Outside, Natural History, PEOPLE,The New York Times Book Review,( SOME PRIMATES WEREN’T TO BE TRUSTED – New York Times ) The Explorer’s Journal, Diversion and Omni’s Exploration column. For two decades she was chief contributor to Fodor’s Guide to Kenya & Tanzania. See her reports from Kenya

A member of the Explorers Club, Willis crossed the Sahara for a London Zoological Society/World Wildlife Fund expedition which led to the establishment the largest nature reserve in Africa. When China first opened to American travelers, Lindblad Travel recruited her to guide their clients for 30 day tours. She organized the first expedition to East Africa for the late Stephen Jay Gould. En route to Nairobi, the evolutionary biologist served as her guide to the home of Charles Darwin, now a museum, near London.

Interviewed on NPR’s “All Things Considered,” “Pulse of the Planet,” and “New York & Company,” Willis has lectured at The American Museum of Natural History, New York University, The Explorers Club, The 92nd Street Y, and the Fulbright Institute.

Her memoirs, “My Boat in the City,” begun when her base camp was a houseboat moored on the edge of Manhattan.

 

Finishing Line Press Authors will also be joining us.

 

Addition list of authors teaching workshops will follow shortly.

WORKSHOP DESCRIPTION 

 

DEBORAH HENRY – Connecting With Your Readers

We will discuss in three part sections the myriad ways we can find our niche and connect with our readers in the digital age.

Part One: Four to Six months before publication date.

Part Two: Before and After Launch Date.

Part Three: After initial launch and onward – How to build a wider audience.

Throughout the three segments, we will have Q & A which will be organic to the flow of discussion as we share the journey — including utilizing traditional and social media skills to land an agent, an editor, a publisher, blurbs and much more as well as how to build a global writing community with ever increasing innovative marketing models.

 

JACQUELYN MITCHARD -Full Manuscript Edit & Critique

LIMITED to six students, #1 New York Times Bestselling author Jacquelyn Mitchard will host a full-manuscript intensive critique. Each student will receive advance digital copies of the other writers’ manuscripts and, at Lismore Castle, Mitchard will lead a full half-day session on each completed book of fiction or creative non-fiction. Admission to this class is based on individual manuscript potential, and application must be made well in advance of the conference in order to assure that the extra demands of a full-book seminar can be met. Mitchard also will provide a written critique with editing and revision suggestions to each participant. Contact conference organizer Nancy Gerbault for guidelines and specifics. 

This is an intensive workshop. Plan on only taking this workshop along with a second workshop at the end of the week.

 

JOSIP NOVAKOVICH – Fiction/Nonfiction 

The Art of the Microforms

A Multi-genre course, concentrating on the short forms, from a short paragraph to vignettes up to approximately 1500 words. The boundaries between narrative poems, lyrical essay, and flash fiction are frequently arbitrary, so let’s not worry about the definition of what we do in the short form, and play. The definition can come later.

Course Objective: To play with words in order to come up with good moments.

Come to class with several short pieces for us to give you constructive feedback now how to revise and improve.

The class time will be divided among the following activities:

Critiquing your work constructively.
Analyzing published paradigms of short form writing.
Sketching and writing vignettes from prompts and assignments.
Even in the short form, the elements of fiction, poetry, and creative nonfiction can be at play productively, so we will concentrate on plotting stories from the basic motives. Man is his desire, sid Aristoteles. We’ll sketch several stories based on primary motives, desire and fear.

Paradigms of microforms to be discussed and covered:

Examples of quick writing
Grace Paley, Robert Coover

2. Myths, Parables

Story of Jonah, Prodigal Son. Tolstoy’s, Three Parables. Johann Peter Hebe, Man is a Strange Creature.

3. Fables and Fairy Tales

Aesop, Brothers Grimm

4. Short-Shorts

Franz Kafka, Kurt Vonnegut, John Cheever, Eudora Welty, Hemingway

5. Flash Fiction

Lydia Davis, Jonathan Wilson, Diane Williams, Dave Eggers

6. Absurdist and Surrealist Stories

Etgar Keret, Daniil Kharms, Dino Buzzati, Aimee Bender

7. The Lyrical Essay

Death of the Moth, Virginia Woolf

8. Very Short Essay, True Story

Mikhail Iossel, Why…, JN, “Ice”

9 Story as one scene:

The Use of Force by William Carlos William. http://www.classicshorts.com/stories/force.html

10. Prose Poems

Sandra Cisneros, Monkey Garden

Reading list:

Parables:

Prodigal Son: http://www.allaboutjesurchrist.org/parable-of-the-prodigal-son-faq.htm

Story of Jonah: http://www.mechon-mamre.org/p/pt/pt1704.htm

Johann Peter Hebel: http://www.amazon.ca/The-Treasure-Chest-Unexpected-Reunion/dp/1870352432 and http://johnshaplin.blogspot.ca/2011/07/two-stories-by-johann-peter-hebel.html

Tolstoy, Three Parables: http://www.nonresistance.org/docs_pdf/Tolstoy/Three_Prables.pdf

Aesop’s Fable: http://www.gutenberg.org/files/21/21-h.htm#link2H_4_0001

Brothers Grimm, Fairy Tales: http://www.pit.edu/~dash/grimm001.html

Franz Kafka Short Shorts: http://franzkafkastories.com/shortStories.php?story_jd=kafka_passers_by

Dino Buzzati, Falling Girl: https://docs.google.com/document/edit?id=1tb7kGoJ3mhPONLIMeWj7ugYJGpJtILy3C5o2uHCQj4k

Lydia Davis: http://www.conjunctions.com/archives/c24-Id.htm

Aimee Bender: http://www.missourireview.com/anthology/we-content/uploads/2011/10/theremembererwithmaterials.pdf

JN: http://www.thebluemoon.com/4/spr99prevnovakovich.html

Mikhail Iossel: http://www.newyorker.com/books/page-turner/why-why-why and http://www.classicshorts.com/stories/mouse.html

Daniil Kharms: http://www.sevaj.dk/kharms/kharmseng.htm

John Cheever, Reunion: http://www.puffchrissy.com/wp-content/uploads/2011/03/REUNION.pdf

Ernest Hemingway, A Very Short Story: http://records.viu.ca/~lanes/english/hemingway/veryshort.htm

Robert Coover: http://www.newyorker.com/magazine/2011/03/14/going-for-a-beer

Diane Williams: http://www.brooklynrail.org/2005/11/fiction/stories

Eudora Welty: http://grammar.about.com/od/shortpassagesforanalysis/a/Weltyteacher07.htm

Virginia Woolf: http://bcs.bedfordstmartins.com/everythingsanargument4c/content/cat_020/Woolf_DeathoftheMoth.pdf

Jonathan Wilson: http://www.esquire.com/fiction/napkin-project/wilson-napkin-fiction

Etgar Keret: http://www.theguardian.com/books/interactive/2012/feb/23/unzipping-etgar-keret-short-story

Grace Paley: http://www2.southeastern.edu/Academics/Faculty/scraig/paley.html and http://biblioklept.org/2014/03/08/wants-grace-paley/ and http://radashort.blogspot.ca/2008/06/mather-by-grace-paley.html

Dave Eggers: http://www.theguardian.com/books/2005/jun/11/shortshortstories.fiction

Kurt Vonnegut: http://www.tnellen.com/cybereng/harrison.html

 

MICHELE ROBERTS – Fiction

One of the pieces of advice I offer in the morning workshop to students tackling writer’s block is to have something delicious to eat. Another tip is to practise automatic writing. Given a phrase, you then write non-stop for three minutes, whatever comes up, without censoring. A good way to get the juices flowing is to begin with “I hate” or “I am disgusted by . . .” Hate and disgust are helpful energies and provoke original writing.”

None of us gets nostalgic about school dinners, do we? From primary school, I remember fatty mutton in greasy gravy. Rice pudding, tapioca pudding, semolina pudding, macaroni in warmish sweetened milk. Slimy and disgusting. At secondary school, a convent, the nuns’ speciality was carrots boiled to a pulp, tasting of soap. Slimy. Or spinach, bitter and sour and, yes, slimy. Too close in texture and appearance to spit and sick, to all those bodily wastes we shun, which the feminist author Julia Kristeva calls “the abject”. Giving an abstract name to wanting to throw up helps keep it at bay. Kristeva refers somewhere to “those currents of bodily feeling we call emotion”. In the writing workshop, we begin by translating abstract words like bliss and desire and contentment into sensual, physical images.

 

GABRIELLE SELZ – 3 Day Memoir Intensive and Biography workshop

The American essayist and poet, Kenneth Rexroth wrote, “Against the ruin of the world, there is only one defense: The creative act.” Memoir is a creative act, one that marks the intersection of truth and storytelling.

Whether writing personal essay-length pieces or a book, this workshop will show you how to best tell the stories from your life.Together, we will analyze methods for creating a narrative through imaginative reconstruction. Participants will be asked to submit a 2,500-word sample—a stand-alone essay or an excerpt.

After introductions, we will begin with a series of essential questions that will guide us in clarifying and defining our projects. The answers are meant to be flexible, opening us up to an ongoing process that will help illuminate our material and choices as we progress.

Over the course of our three days together, each writer’s work will be work- shopped in a safe, honest environment. The whole group will help the writer identify what is unique and exciting in their work, as well as what might be getting in their way. If you are embarking on something new, it is okay to submit a skeletal description. We will then focus on helping you sketch and fill out your memoir project.

We will emphasize issues of craft with discussions on:

 Prologue: How to hook readers, set up the stakes and foreshadow the arc of the story.

 Structure: How to shape through Conflict and Turning Points.

 Character/Dialogue: Making characters dimensional through desire and contrast.

 Desire Line: Ask yourself, “What did I want more than anything else? What is my underlying question, my underlying want?” Create a desire line. It’s all about wanting.

 Writing the personal outward and within the context of history.

 Setting/Place: Creating setting, mood and emotion of place.

 Emotional authenticity

 Theme and how to weave it in so that it informs all the aspects of the story.

 Revision and its various stages.

 The Business/The Writing Life
DELTA WILLIS – Travel and Food Writing

Travel Images Expand your reach and profits by submitting sharp photos with your travel reports. Increasingly online magazines want a photo essay, spiced with a few paragraphs. Now smart phone images allow you to compete with professional photographers to illustrate your own articles. This workshop will focus on composition, editing, and social media platforms (Facebook, Instagram) that engage your readers. Three workshops will explore photo ops in the village and harbor of Kinsale; two will be indoors with laptop exercises, including capturing color, light, and sense of place with words, photographing food, when to avoid selfies, the dangers of Photoshop, copyright protection, and photographing people without permission. Minor additional expenses for excursions, workshops in cafes or pubs. Led by Delta Willis; see sample blog with images

 

DAILY SCHEDULE

AUGUST 4TH  

Arrival

Morning Workshops begin at 8:00 am – 12:00

Room #1 Full Manuscript Edit & Critique 

Room #2 Memoir & Biography Room 

Afternoon Workshop 12:30 – 4:30

Room #1 Travel Writing  

Room #2 Declan Ryan/Poetry

Readings 5:00 – 7:00

Welcome Dinner Party at LEMON LEAF

AUGUST 5TH

Breakfast 7:00 – 10:00

Morning Workshops 8:00 – 12:00

Room #1 Full Manuscript Edit & Critique 

Room #2 Memoir & Biography

Afternoon Workshops 12:30 – 4:30

Room #1 Michele Roberts/Fiction

Room #2 Declan Ryan/Poetry

Readings 5:00 – 7:00

Dinner – Free night out 

AUGUST 6TH

Breakfast 7:00 – 10:00

Morning Workshops 8:00 – 12:00

Room #1 Full Manuscript Edit & Critique

Room #2 Memoir & Biography

Afternoon Workshop 12:30 – 4:30

Room #1 Michele Roberts/Fiction

Room #2 Declan Ryan/Poetry

 Readings 5:00 – 6:45

Harbor Cruise 7:00 – 9:00 

Buffet Dinner on Boat

AUGUST 7TH

Breakfast 7:00 – 10:00

Morning Workshop 8:00 – 12:00

Room #1 Full Manuscript Edit & Critique

Room #2 Travel Writing

Afternoon Workshop 12:30 – 4:30

Room #1 Michele Roberts/Fiction

Room #2 Connecting With Your Readers

Readings 5:00 – 7:00

Dinner at restaurant, Fishy Fishy

AUGUST 8TH

Breakfast 7:00 – 10:00

Morning Workshop 8:00 – 12:00

Room #1 Josip Novakovich/Fiction & Non-Fiction

Room #2 Jacob Polley/Poetry

Afternoon Workshop 12:30 – 4:30

Room #1 Historical Fiction & Non-Fiction

Room #2 Connecting With Your Readers

Readings 5:00 – 7:00

Dinner – Free night out

AUGUST 9TH 

Breakfast 7:00 – 10:00

Morning Workshop 8:00 – 12:00

Room #1 Josip Novakovich/Fiction & Non-Fiction

Room #2 Jacob Polley/Poetry

Afternoon Workshop 12:30 – 4:30

Room #1 Historical Fiction & Non-Fiction

Room #2 Connecting With Your Readers

Readings 5:00 – 7:00

Dinner at Blue Haven

BBQ Fish dinner and Buffet afterwards we’ll listen to music in the bar

AUGUST 10TH 

Breakfast 7:00 – 10:00

Morning Workshops 8:00 – 12:00

Room #1 Historical Fiction & Non-Fiction

Room #2 Jacob Polley/Poetry

Afternoon Workshops 12:30 – 4:30

Room #1 Historical Fiction & Non-Fiction

Room #2 Travel Writing

Readings 5:00 – 7:00

Celebration dinner at Lemon Leaf with music

AUGUST 11TH

Breakfast 7:00 – 10:00

Departure 10:30

Please note that Delta Willis’s Travel & Food Workshop will be in two different rooms at different times.

 

Price

Resident

Shared Twin Room  $2,600 – includes: Full Breakfast, 5 dinners, Workshops, Readings

Single Room  $3,600 – includes: Full Breakfast, 5 dinners, Workshops, Readings. You’re welcome to bring a companion for an extra fee of $300.